Wieland Payer
Vita
| 1981 | Geburt in Erfurt |
| 2000 | Abitur |
| 2001 | Beginn eines Architekturstudiums an der TU Dresden |
| 2002 | Aufnahme des Studiums der freien Grafik an der Hochschule für Kunst und Design Burg Giebichenstein, Halle bei Prof. Thomas Rug |
| 2006/07 | Auslandsstudium an der Accademia di Belle Arti, Rom |
| 2008 | Diplom |
| 2011 | MA printmaking am Royal College of Art, London |
Solo exhibitions
| 2011 | "Bondasca", Galerie Rothamel, Erfurt |
| 2009 | "Treibhaus", Galerie Rothamel, Frankfurt am Main |
| 2009 | Diplomausstellung, Galerie der Burg Giebichenstein im Volkspark |
Ausstellungsbeteiligungen/ Stipendien
| 2012 | Potenziale, Galerie Rothamel, Erfurt |
| 2011 | The future can wait, Victoria House, in Zusammenarbeit mit Saatchi & Channel 4, London |
| 2011 | Wanderlust, The Basement, Kingsland Roaad Studios, London |
| 2011 | rom Garden City to Green City, Garden Museum, London |
| 2011 | Stadt Land Fluss, Jenaer Kunstverein, Jena |
| 2011 | Painter-Stainers Runner-up Prize, London |
| 2011 | Tim Mara Purchase Award, London |
| 2011 | Final Show, Royal College of Art, London |
| 2011 | Fokus Junge Kunst, Lindenau-Museum, Altenburg |
| 2010 | Anything I Can Do You Can Do Better?, Cafe Gallery, London |
| 2010 | Work in Progress Show, Royal College of Art, London |
| 2010 | Blütezeit, Galerie Rothamel Erfurt |
| 2009 | Franziska Peter und Wieland Payer, Städtische Galerie Geislingen |
| 2009 | VIP Show, Royal College of Art, London |
| 2009 | Everything what I do, can you do better, Café Gallery, London |
| 2008 | Grafisch, Absolventen und Studenten der Klasse Rug im LIA, Leipzig |
| 2008 | Flügge, Kunststudenten der Burg Giebichenstein im Schloss Wallhausen |
| 2008 | Stipendium der Studienstiftung des Deutschen Volkes |
| 2007 | Illustrative, Festival für Illustration, Berlin |
| 2007 | Kernbeißer, Ausstellung der Klasse Rug in der Galerie der UdK, Berlin |
| 2006 | Sie stehen vor einer Mehrzweckhalle, sechs Studenten der Klasse Rug im Forum für Kunst, Schrammberg |
| 2006 | coming home, Kunststudenten in der Galerie Krönbacken, Erfurt |
| 2006 | Burgausstellung, in der ständigen Vertretung des Landes Sachsen-Anhalt, Brüssel |
| 2006 | Stipendium des Erasmusprogramms für Rom |
| 2005 | greater chateau, Ausstellungsprojekt von Kunststudenten zur Jahresausstellung 2004 der Burg Giebichenstein |
| 2005 | Kurzschluss, bundesweites Vernetzungsprojekt deutscher Kunststudenten, Stuttgart |
| 2004 | 2. Preis der Stiftung für christliche Kunst, Wittenberg |
| The Gentleman Explorer is a species which has become scarcetoday. Georg Forster and Alexander von Humboldt were among their firstrepresentatives; dauntless explorers, sophisticated intellectuals and artistsat the same time. They had the ability to discover new territories and todescribe and present them vividly to their contemporaries.They occupied the imagination of entirenations and created ranges of ideas, which lasted for decades. Wieland Payer is a revenant ofthis visionary and adventurous type of human. His brilliant prints and drawingsrepresent remote landscapes with weird cultures. His first expedition led him tothe Caucasus Mountains; further journeys disclosed more secluded territory, ofwhich the pausibility increases as the work of the young artist is developing.Some of the continents visited by Payer seem to already have been sighted fromafar and drafted by George Forster. Payer aims “to see and amaze, to observebut primarily to collect and to measure“ as his tutor Uwe Pfeiffer states. Payer’s latest series “Bondasca“deals with the “Zone“, that mysterious and extraterrestrial area, which isswarmed with marvellous artefacts and deadly traps. Arkadi and Boris Strugatzkidescribed this landscape in their book “Roadside Picnic“, with his movie“Stalker“ Andrej Tarkowski erected a cinematic memorial in its honour in 1978. Wieland Payer now transposes themesmeric motifs of the Russian master director to Engadin and Bergell, thesetting of the earliest high mountain paintings in art history by thepre-romanticist Caspar Wolf (1735-83). Payer’s synthesis of ScienceFiction and Romantic perception isn’t a coincidence: The Master thesis of theyoung artist deals with the German Romanticism. The atmospheric density andperfection of his Bondasca series refer to Carl Blechen, its metaphysicalquality to Caspar David Friedrich. The “romantic irony“ isn’t missed outeither: “pioneers“, preposterous crop creatures, which seemingly emanated frompsychedelic visions by lunatic illustrators populate the barren rocky landscapeof the Swiss Alps. Wieland Payer was born in Erfurtin 1981. He studied at the Burg Giebichenstein University of Art and Design in Halle,the Accademia di Belle Arti in Rome and is currently completing his Masters atthe Royal College of Art in London. |