Wieland Payer

Vita

1981Geburt in Erfurt
2000Abitur
2001Beginn eines Architekturstudiums an der TU Dresden
2002Aufnahme des Studiums der freien Grafik an der Hochschule für Kunst und Design Burg Giebichenstein, Halle bei Prof. Thomas Rug
2006/07Auslandsstudium an der Accademia di Belle Arti, Rom
2008Diplom
2011
MA printmaking am Royal College of Art, London

Solo exhibitions

2011
"Bondasca", Galerie Rothamel, Erfurt
2009"Treibhaus", Galerie Rothamel, Frankfurt am Main
2009Diplomausstellung, Galerie der Burg Giebichenstein im Volkspark

Ausstellungsbeteiligungen/ Stipendien

2012
Potenziale, Galerie Rothamel, Erfurt
2011
The future can wait, Victoria House, in Zusammenarbeit mit Saatchi  & Channel 4, London
2011
Wanderlust, The Basement, Kingsland Roaad Studios, London
2011
rom Garden City to Green City, Garden Museum, London
2011
Stadt Land Fluss, Jenaer Kunstverein, Jena
2011
Painter-Stainers Runner-up Prize, London
2011
Tim Mara Purchase Award, London
2011
Final Show, Royal College of Art, London
2011
Fokus Junge Kunst, Lindenau-Museum, Altenburg
2010
Anything I Can Do You Can Do Better?, Cafe Gallery, London
2010
Work in Progress Show, Royal College of Art, London
2010Blütezeit, Galerie Rothamel Erfurt
2009Franziska Peter und Wieland Payer, Städtische Galerie Geislingen
2009VIP Show, Royal College of Art, London
2009Everything what I do, can you do better, Café Gallery, London
2008Grafisch, Absolventen und Studenten der Klasse Rug im LIA, Leipzig
2008Flügge, Kunststudenten der Burg Giebichenstein im Schloss Wallhausen
2008Stipendium der Studienstiftung des Deutschen Volkes
2007Illustrative, Festival für Illustration, Berlin
2007Kernbeißer, Ausstellung der Klasse Rug in der Galerie der UdK, Berlin
2006Sie stehen vor einer Mehrzweckhalle, sechs Studenten der Klasse Rug im Forum für Kunst, Schrammberg
2006coming home, Kunststudenten in der Galerie Krönbacken, Erfurt
2006Burgausstellung, in der ständigen Vertretung des Landes Sachsen-Anhalt, Brüssel
2006Stipendium des Erasmusprogramms für Rom
2005greater chateau, Ausstellungsprojekt von Kunststudenten zur Jahresausstellung 2004 der Burg Giebichenstein
2005Kurzschluss, bundesweites Vernetzungsprojekt deutscher Kunststudenten, Stuttgart
20042. Preis der Stiftung für christliche Kunst, Wittenberg




The Gentleman Explorer is a species which has become scarcetoday. Georg Forster and Alexander von Humboldt were among their firstrepresentatives; dauntless explorers, sophisticated intellectuals and artistsat the same time. They had the ability to discover new territories and todescribe and present them vividly to their contemporaries.They occupied the imagination of entirenations and created ranges of ideas, which lasted for decades.

Wieland Payer is a revenant ofthis visionary and adventurous type of human. His brilliant prints and drawingsrepresent remote landscapes with weird cultures.

His first expedition led him tothe Caucasus Mountains; further journeys disclosed more secluded territory, ofwhich the pausibility increases as the work of the young artist is developing.Some of the continents visited by Payer seem to already have been sighted fromafar and drafted by George Forster. Payer aims “to see and amaze, to observebut primarily to collect and to measure“ as his tutor Uwe Pfeiffer states.

Payer’s latest series “Bondasca“deals with the “Zone“, that mysterious and extraterrestrial area, which isswarmed with marvellous artefacts and deadly traps. Arkadi and Boris Strugatzkidescribed this landscape in their book “Roadside Picnic“, with his movie“Stalker“ Andrej Tarkowski erected a cinematic memorial in its honour in 1978.

Wieland Payer now transposes themesmeric motifs of the Russian master director to Engadin and Bergell, thesetting of the earliest high mountain paintings in art history by thepre-romanticist Caspar Wolf (1735-83).

Payer’s synthesis of ScienceFiction and Romantic perception isn’t a coincidence: The Master thesis of theyoung artist deals with the German Romanticism. The atmospheric density andperfection of his Bondasca series refer to Carl Blechen, its metaphysicalquality to Caspar David Friedrich. The “romantic irony“ isn’t missed outeither: “pioneers“, preposterous crop creatures, which seemingly emanated frompsychedelic visions by lunatic illustrators populate the barren rocky landscapeof the Swiss Alps.

Wieland Payer was born in Erfurtin 1981. He studied at the Burg Giebichenstein University of Art and Design in Halle,the Accademia di Belle Arti in Rome and is currently completing his Masters atthe Royal College of Art in London.