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Wieland Payer I Art Karlsruhe 2022

Wieland Payer I Art Karlsruhe 2022


Beckmann, 2021, Pastel, watercolor and charcoal on primed MDF, 40 x 32 cm, 2.200 Euro


Blue Wall, 2022, Pastel, watercolor and charcoal on primed MDF, 30 x 42 cm, 2.200 Euro


Fallobst, 2021, Pastel, watercolor and charcoal on primed MDF, 39 x 53 cm, 2.800 Euro


Light in April, 2022, Pastel, watercolor and charcoal on primed MDF, 40 x 60 cm, 3.000 Euro


Petasitis Hybridus, 2021, Pastel, watercolor and charcoal on primed MDF, 52 x 66 cm, 3.600 Euro


Sparkling Fall, Pastel, watercolor and charcoal on primed MDF, 130 x 70 cm, 6.000 Euro


Sunset Display, 2022, Pastel, watercolor and charcoal on primed MDF, 35 x 45 cm, 2.400 Euro


Tulips & Shards, Pastel, watercolor and charcoal on primed MDF, 40 x 32 cm, 2.200 Euro

VIP preview: Wed, July 6, 2 - 8 p.m
Vernissage: Thursday, July 7, 11 a.m. - 8 p.m
Visitor days: Fri-Sun, 8.-10. July, 11am - 8pm

We are looking forward to your visit!
Kind regards, Jork Rothamel

Hall 4 - dm arena / J 32 and H 32
Messeallee 1, 76287 Rheinstetten
Phone +49 177 599 84 45


22. June 2022

Moritz Götze I Art Karlsruhe 2022

Moritz Götze I Art Karlsruhe 2022


Mein eigenes Paradies, Emaildame, 2021,Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Rot und Blau, Emaildame, 2020, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Der Anruf in der Nacht, Emaildame, 2021, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Herkules lebt, Emaildame, 2020, Enamel painting and gold on steel, 120 x 42 cm, 4000 Euro


Männerbad, Emaildame, 2020, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Nacht am Fluß, Emaildame, 2022, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Nachts am See, Emaildame, 2021, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro

Masse, Emaildame, 2020, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Wieso, Emaildame, 2020, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro

Im Schatten der Ereignisse, 2021, Enamel painting on steel, 75 x 154 cm, 5000 Euro



Tugend und Laster, 2021, Enamel painting on steel, 60 x 137 cm, 4500 Euro


VIP preview: Wed, July 6, 2 - 8 p.m
Vernissage: Thursday, July 7, 11 a.m. - 8 p.m
Visitor days: Fri-Sun, 8.-10. July, 11am - 8pm

We are looking forward to your visit!
Kind regards, Jork Rothamel

Hall 4 - dm arena / J 32 and H 32
Messeallee 1, 76287 Rheinstetten
Phone +49 177 599 84 45


22. June 2022

Wieland Payer at the Jenaer Kunstverein

Wieland Payer at the Jenaer Kunstverein

WIELAND PAYER
Landschaften | Landscapes
(together with Doris Ziegler)
Kunstverein Jena
14. Mai bis 25. Juni 2022

ABBILDUNG
Wieland Payer, Brand, 2019, Pastell, 100 x 150 cm

ZWieland Payer and Doris Ziegler open up two different perspectives on the motif of the landscape and enter into an exciting dialogue in the exhibition. Wieland Payer, who lives in Dresden, creates visionary landscapes as alternative designs to urban spaces, the diversity of which is demonstrated by the Leipzig painter Doris Ziegler.


Galerie des Jenaer Kunstvereins im Stadtspeicher
Markt 16
07743 Jena 
03641 63 69 938
Wed, Fri, Sat 12-4 pm; Thu 12-7pm


18. May 2022

Wieland Payer at Museum Schloß Wilhelmsburg

Wieland Payer at Museum Schloß Wilhelmsburg

WIELAND PAYER
Nocturne
Museum Schloß Wilhelmsburg
20. Mai bis 25. September 2022

We cordially invite you and your friends to the opening with the artist on Thursday, May 19, 2022 at 6 p.m.



Wieland Payer, Blue Fall,  2020, Pastell, 190 x 300 cm
 
Wieland Payer demonstrates graphic virtuosity and has a special feeling for fascinating themes. His landscapes and still lifes are largely bare of people, but covered with mysterious phenomena. Do they come from fiction, descriptions of voyages of discovery or simply artistic imagination? Payer weaves representational, abstract and metaphysical elements into something new. His ideal images show visions of another world. His objects give the impression that it is already present.


Wieland Payer, Felsentor, 2018, Pastell, 70 x 100 cm

Their unusual appearance corresponds to the fantastic character of the works: Wieland Payer works with pastel painting and presents this technique in new splendour. He succeeds in doing this through their unusual application to the large format, their brilliant mastery and careful further development.


Wieland Payer (*1981 in Erfurt) lives and works in Dresden. He studied at the Kunsthochschule Burg Giebichenstein Halle (diploma, 2009), the Accademia di Belle Arti Rome (Erasmus scholarship) and at the Royal College of Art in London (scholarship from the Studienstiftung and the DAAD, Master, 2011). Works by the young artist are in renowned public collections.

Museum Schloß Wilhelmsburg
Schloßberg 9
98574 Schmalkalden
03683 403186
open daily 10 a.m. - 6 p.m


10. May 2022

Nguyen Xuan Huy,

Nguyen Xuan Huy, "Exercises for Paradise"


A Long Hike, 2021, oil on canvas, 197 x 135 cm, sold

Close to Heaven, 2021,oil on canvas, 300 x 207 cm, 30.400 Euro


Der Durchgang, 2021, oil on canvas, 207 x 300 cm, 30.400 Euro


Kitchen Lost, 2021, oil on canvas, 250 x 140 cm, 23.400 Euro


Lost Horizon, 2021, oil on canvas, 137 x 100 cm, 14.200 Euro


Second Legs, 2021, oil on canvas, 250 x 197 cm, 26.800 Euro


Silence 9, 2020, oil on canvas, 90 x 70cm, 9.600 Euro


Silence 11, 2021, oil on canvas, 90 x 70 cm, sold


Silence 12, 2021, oil on canvas, 90 x 70 cm, 9.600 Euro


Talking about Black Holes, 2019, oil on canvas, 220 x 140 cm, 21.600 Euro


Exercises, 2022, oil on canvas, 207 x 300 cm, 30.400 Euro


Ausweichmanöver, 2022, oil on canvas, 220 x 157 cm, sold


Helium Gone, 2022, oil on canvas, 197 x 135 cm, 19.900 Euro


Next Step, 2022, oil on canvas, 137 x 100 cm, sold


Silence 13, 2022, oil on canvas, 70 x 90 cm, 9.600 Euro

 


26. April 2022

Moritz Götze,

Moritz Götze, "Ermessensspielraum"

Im Schatten der Ereignisse, 2021, enamel on steel, 154 x 75 cm, 5.000 Euro
Tugend und Laster, 2021, enamel on steel, 137 × 60 cm, 4.500 Euro

Die 80er, 2021, oil on canvas, 180 x 140 cm, 12.800 Euro
Peter im Windpark - nach Hakenbeck, 2021, oil on canvas, 140 x 100 cm, 9.000 Euro

Klare Verhältnisse, 2021, oil on canvas, 140 x 100 cm, 9.000 Euro
Der Traum, 2021, enamel on steel, 170 x 120 cm, 10.000 Euro
 

Kabelsalat, 2021, enamel on steel, 170 x 120 cm, 10.000 Euro


Selbst nach Albrecht Dürer, 2021, oil on canvas, 60 x 50 cm, 4.400 Euro
Schön, 2021, oil on canvas, 200 x 160 cm, 14.400 Euro
Männlicher Torso, 2021, oil on canvas, 140 x 100 cm, 9.000 Euro
German Soup, von Charlotte von Stein bis Wieland, 2021, enamel, 60 x 34,5 cm,  je 2.000 Euro
Er hat den Boden voll Skulpturen, 2020, enamel, 123 x 48 cm, 4.000 Euro
Masse, 2020, enamel, 123 x 48 cm, 4.000 Euro
Wieso, 2020, enamell, 123 x 48 cm, 4.000 Euro
Triptychon der Angst I-III, 2021, oil on canvas, 160 x 300 cm, 19.000 Euro

 


24. April 2022

Hans-Christian Schink in the Museum of Contemporary Art in Odessa

Hans-Christian Schink in the Museum of Contemporary Art in Odessa

In cooperation with the Museum of Contemporary Art in Odessa, we are launching a virtual exhibition of works by Hans-Christian Schink. Co-workers of the museum mounted images of the artist's work into virtual and real spaces. If you decide to purchase one of the works, half of the purchase price (less German taxes and the production costs of the large-format photographs) goes to the museum.

Hans-Christian Schink, born 1961 in Erfurt Germany, photographed landscapes at their intersections of where human endeavour met its once unscathed natural conditions. He explores the relationship where a natural landscape once constituting the surroundings, becomes defined as something else, separate from its foundations and no longer part of the surrounding country. Consequentially, it is often human activity that creates this divide. 

Schink’s work has attracted much acclaim, with Mark Siemons in the FAZ commenting that Schink’s works asks the question of "Can you say very little and yet say everything at once?", while Boris Hohmeyer describes Schink’s work as being "painted so strictly and beautifully like that of Barnett Newman“.
 

Hans-Christian Schink, A 9 / A 38, Interchange Rippachtal (1), 1998, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro
 
Hans-Christian Schink, A 71- near Trassdorf, 1999, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro

Hans-Christian Schink, A 71- Schwarzbachtal Bridge, 2001, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro
 
Hans-Christian Schink, Antarctica 1, 2010, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro
 
Hans-Christian Schink, Antarctica 2, 2010, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro
 
Hans-Christian Schink, Antarctica 4, 2010, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro
 
Hans-Christian Schink, Flores, 2010, gelatin silver print, framed, total ed. 8 + 2 ap, 180 x 225 cm
40000 Euro
 

Hans-Christian Schink, Namibia (4), 2009, gelatin silver print, framed, total ed. 8 + 2 ap, 180 x 225 cm
40000 Euro

Hans-Christian Schink, Dama Lin Khar Ra Paya, Bago (2), 2013, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro

Hans-Christian Schink, Mya Thar Lyaung, Bago, 2013, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro
 
Hans-Christian Schink, Win Sein Taw Ya (2), Mudon, 2016, c-print/diasec, framed, edition 5 + 3, 178 x 211 cm 
23000 Euro

 


16. April 2022

Galerie Rothamel supports Odessa

Galerie Rothamel supports Odessa

In Odessa on the Black Sea is one located of the most important museums in Ukraine, the “Museum of Western and Eastern Art”. It's collections include paintings by Frans Hals and Caravaggio, as well as masterpieces from antiquity and the Far East.
 
Russian troops are advancing towards the city, the museum is currently being evacuated. To support the museum and its employees, we have reached an agreement with director Igor Poronyk for a virtual exhibition of the artists of our gallery in Odessa. Half of the gallery's share will be donated to the museum.
 

Moritz Götze, Schön, 2021, oil on canvas, 200 x 160 cm, 14400 Euro


Ellen Akimoto, Horses Falling on Horses, 2021, oil on two canvases, 240 x 300 cm, 12900 Euro


Harald Reiner Gratz, Kein Garten Eden, 2021, oil on canvas, 200 x 500 cm, 21000 Euro


Hans-Christian Schink, Parco degli Acquedotti (1), series "Aqua Claudia", 2014, c-print/diasec, 178 x 211 cm, edition 8 + 2 AP, 23000 Euro


Undine Bandelin, Die Promenade, 2020, oil and acrylic on canvas, 200 x 250 cm, 9000 Euro


Nguyen Xuan Huy, Der Durchgang, 2021, oil on canvas, 207 x 300 cm, 30300 Euro


Hiroyuki Masuyama, Das große Gehege (after Caspar David Friedrich, 1832), 2016, LED Lightbox, edition 5, 73,5 x 102,5 x 4 cm, 12000 Euro

Michiko Nakatani, Souzou no Yoroi (armor out of imagination), 2013, resin / pigment / iron, 165 x 53 x 32 cm, 13200 Euro


Dana Meyer, Arapides, 2018, steel - forged and welded, 295 x 79 x 130 cm, 24000 Euro

Jörg Ernert, Gewölbegang (nach Guardi),  2. Fassung, 2021, acrylic on canvas, 150 x 110 cm, 5980 Euro


Wieland Payer, Blossom, 2021, pastel and watercolor on primed MDF,  ∅ 100 cm, 6000 Euro

Thitz, Kiev, 2022, acrylic and bags on canvas, 80 x 120 cm, sold

18. March 2022

Hiroyuki Masuyama in Art Museum Solingen

Hiroyuki Masuyama in Art Museum Solingen

03/19 until 04/24/2022
TIME TRAVEL 1817 – 2022

Friederich August De Leuw (1817 – 1888) and Hiroyuki Masuyama (*1968)



Pictures from the 19th century by the painter Friedrich August de Leuw from Gräfrath are juxtaposed with works by Hiroyuki Masuyama, who edited his photographs digitally in the 21st century.
Both artists studied at the Düsseldorf Art Academy. The artist, born in Japan in 1968, was looking for the same landscape models as De Leuw, which he reproduces in a contemporary manner using digital technology.

The well-known rock "Rheingrafenstein" on the Nahe served as a motif for numerous painters of the Romantic era. Friedrich August De Leuw was in this striking place to paint in 1876. At the same time, William Turner was staying there to sketch in nature.

Hiroyuki Masuyama photographed the rock from the same perspective as 19th century painters. He combined hundreds of digital photographs into one image, which, with the help of light and lightboxes, achieves a spectacular effect. In addition to the art-historical analysis of the various epochs, Hiroyuki Masuyama addresses the aesthetics of landscape. How does the emotional relationship between humans and nature differ and how does it compare over the centuries? The comparison of the two positions opens up numerous exciting perspectives and focuses on profound topics: What connects the digitally shaped people with the romanticism of the 19th century? Why is the longing for landscape and nature a basic human need throughout the ages? How does art as a medium of expression convey this feeling in the present? The exhibition provides answers that can be experienced rationally and emotionally and broaden the horizon.


A spectacular exhibit by the Düsseldorf artist Hiroyuki Masuyama in the "Time Travel" exhibition is a large wooden sphere made up of many thousands of wooden triangles. When you sit in it and close the entrance hatch, light falls inside through 30,000 small and large holes. The light inlets are arranged like the stars in the universe.


16. March 2022

EMERGENCY HELP UKRAINE - FOR PEACE AND FREEDOM

EMERGENCY HELP UKRAINE - FOR PEACE AND FREEDOM

Dear art friends,

We must all contribute to the support of those who are suffering in Ukraine, but also of the courageous and peace-loving people in Russia, if we do not want war to come to us. We came up with a lot together with our artists. Now it's your turn. Join us!

Yours, Jörk Rothamel

 


MORITZ GOTZE
where are your thoughts

Rothamel Gallery Erfurt
extended until March 20, 2022

“If history is a darkroom, then Götze is one of the light makers. He affords an untroubled view, free from ideology.” (Christoph Tannert)

Moritz Götze has already made a generous donation and also taken in a refugee family. 10% of the sales of all purchases you make up to the end of its exhibition, we donate to protective vests.


Moritz Götze, Clear Relationships, 2021, oil on canvas, 140 x 100 cm, 9.000 euros

 

NGUYEN XUAN HUY
Close to Heaven
painting
Rothamel Frankfurt Gallery
March 18th to May 1st

We cordially invite you and your friends to the opening with the artist on Friday, March 18 from 6 p.m.

For the opening we offer numerous publications by the artist. The proceeds from the sale will go in full to the emergency aid in Ukraine of the "Germany Helps" campaign. Please come and buy books, books, books!

For every work of art sold on the opening night, we will donate an additional 1000 euros. Buy pictures, pictures, pictures!!!


Nguyen Xuan Huy, Invasion,2017, oil on canvas, 180 x 150cm, 19.800 euros

 

THITZ
Freedom Bags
Rothamel Gallery Erfurt
March 26th to April 24th

We cordially invite you and your friends to Erfurt for the opening with the artist on Friday, March 25 at 7 p.m.!

To support the victims of the Russian war of aggression in Ukraine, the artist, who always wears one red and one yellow shoe, has created an object: "One Yellow, One Blue". It costs 2500 euros. The proceeds from the sale will go in full to the emergency aid in Ukraine of the "Germany Helps" campaign.

Thitz, One Yellow, One Blue, 2022, shoe object, sold


11. March 2022

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