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Dear ladies, gentlemen, dear art lovers, 

Today we would like to invite you to a virtual tour of our exhibition > 1000 words.
You can find the tour here.

Bible words you can touch
A film by Uwe Dieckhoff

The St. Aegidien Castle Church is one of the striking buildings in the city of Bernburg (Saale). The church dates from the 12th century. In 1751-52 the nave of the old Romanesque church was rebuilt in the baroque style, later changed several times and finally stripped of almost all jewelry. The church has been renovated since 2013.

Moritz Götze was entrusted with the artistic redesign. His pictorial program is based on Genesis and the New Testament. It covers the vaulted ceiling, the base zones of the walls and the altar. Götze decided on a permanent enamel painting. With this extremely complex technique, layers of mineral paints are used to paint metal plates and each layer is burned at 800 degrees. The colors melt into a glaze on the metal, cover it and preserve it for eternity. Then the emails are fixed precisely on the walls.

The barrel vault was completed in 2013 - clouds and stars on a blue background. The furnishing of the south and north walls of the eastern nave began in 2014, followed by the artistic redesign of the altar wall in 2015. The new altar was also inaugurated with a festive service on Easter Sunday 2016. The work continues continuously.

Here to the film >>

Dear art friends,

special times require special measures. That is why we have been breaking a taboo of the art market and are publishing the price lists of our exhibitions here. If you would like to purchase one of the works on display or if you have any questions, click on “I am interested in this work of art” and enter your email address. Of course, you can also simply call or write to us.

Enjoy!

Mondaufgang am Meer (nach Caspar David Friedrich,1822), 2018, LED Lightbox, Auflage 5, 55 x 71 x 4 cm, 10.000 Euro


Nebel (nach Caspar David Friedrich, 1807), 2018, LED Lightbox, Auflage 5, 34,2 x 50,2 x 4 cm, 7.000 Euro


Der Mönch am Meer (nach Caspar David Friedrich, 1808-10), 2007, LED Lightbox, Auflage 5, 110 x 171,5 x 4 cm, 20.000 Euro


Abtei im Eichwald (nach Caspar David Friedrich, 1808-10), 2017, LED Lightbox, Auflage 5, 110,4 x 171 x 4 cm, 20.000 Euro


Abend (nach Caspar David Friedrich, 1824), 2018, LED Lightbox, Auflage 5, 20 x 27,5 x 4 cm, 3.800 Euro


Gebirgslandschaft mit Regenbogen (nach Caspar David Friedrich, 1810), 2018, LED Lightbox, Auflage 5, 70 x 102 x 4 cm, 12.000 Euro


Ruine im Riesengebirge (nach Caspar David Friedrich, 1834), 2007, LED Lightbox, Auflage 5, 73 x 103 x 4 cm, 12.000 Euro

Greifswald im Mondschein (nach Caspar David Friedrich, 1817), 2016, Diasec/LED Lightbox, Auflage 5, 22,5 x 30,5 x 4 cm, 3.800 Euro

Neubrandenburg im Morgennebel (nach Caspar David Friedrich, 1816/17), 2016, Diasec/LED Lightbox, Auflage 5, 72 x 91 x 4 cm, 12.000 Euro

Zwei Männer in Betrachtung des Mondes (nach Caspar David Friedrich, 1819), 2019, LED Lightbox, ed. 5 + 2 ap, 33 x 44,5 x 4 cm, 6400 Euro

Dear art friends,

special times require special measures. That is why we have been breaking a taboo of the art market and are publishing the price lists of our exhibitions here. If you would like to purchase one of the works on display or if you have any questions, click on “I am interested in this work of art” and enter your email address. Of course, you can also simply call or write to us.

Enjoy!

Jonathan Kraus, Fart, 2019, Öl auf Leinwand, 120 x 210 cm, 7300 Euro


Jonathan Kraus, Kevin I, 2019, Öl auf Leinwand, 160 x 240 cm, 8800 Euro


Jonathan Kraus, Signature Move, 2020, Öl auf Leinwand, 160 x 145 cm, 6800 Euro


Nguyen Xuan Huy, Looking for Vincent I, 2020, Öl auf Leinwand, 197 x 135 cm, 16600 Euro


Nguyen Xuan Huy, Looking for Vincent II, 2020, Öl auf Leinwand, 197 x 135 cm, 16600 Euro


Nguyen Xuan Huy, Looking for Vincent III, 2020, Öl auf Leinwand, 197 x 135 cm, 16600 Euro


Nguyen Xuan Huy, No Guarantee, 2020, Öl auf Leinwand, 220 x 150 cm, 18500 Euro


Marten Schädlich, Burger, 2020, Öl und Eitempera auf MDF, 31 x 46 cm, 1400 Euro


Marten Schädlich, Kokon, 2020, Öl und Eitempera auf MDF, 46 x 31 cm, 1400 Euro


Marten Schädlich, Next Generation, 2020, Öl und Eitempera auf Leinwand, 56 x 80 cm, 2500 Euro

Marten Schädlich, Nymphen, 2021, Öl und Eitempera auf Holz, 80 x 60 cm, 2600 Euro

Marten Schädlich, Nymphen, 2021, Öl und Eitempera auf Holz, 80 x 60 cm, 2600 Euro

Ellen Akimoto, Being Natural, 2019, Öl und Acryl auf Leinwand, 130 x 110 cm, 5800 Euro


Ellen Akimoto, Head Explodes Due to Personal Reasons, 2018, Öl auf Leinwand, 160 x 140 cm, 7200 Euro


Ellen Akimoto, Little Pinnacle, 2020, Öl und Acryl auf Leinwand, 40 x 30 cm, 1700 Euro


Ellen Akimoto, Talking Incomprehensibly About the Leaf, 2019, Öl und Acryl auf Leinwand, 100 x 80 cm, 4300 Euro


Ellen Akimoto, Unknowable Contents, 2020, Öl und Acryl auf Leinwand, 40 x 30 cm, 1700 Euro


Undine Bandelin, Der Triumph, 2020, Öl und Acryl auf Leinwand, 140 x 180 cm, 5800 Euro


Undine Bandelin, Die Edelmänner, 2020, Öl und Acryl auf Leinwand, 170 x 120 cm, 5300 Euro


Ivana de Vivanco, Nuage mis en abyme, 2020, Öl auf Leinwand, 28 x 32 cm, 1500 Euro


Ivana de Vivanco, Self Portrait as an Ostrich Before Hiding It's Head, 2017, Öl auf Leinwand, 130 x 100 cm, 5500 Euro


Ivana de Vivanco, Study for a Happy Apocalypse, 2018, Öl auf zwei Leinwänden, 260 x 190 cm, 10.800 Euro

Dana Meyer I Sculptures
Dana Meyer's (* 1982) sculptures have a timeless sovereignty. Her way of working is how bold your virtuoso is, for whom she forges her works freehand from steel without preparatory work or models. Her sculptural works are exciting, powerful and dynamic. Meyer shows against animals and people, individually, in groups, sometimes fragmented, but always haunting in the statement, realistic and expressive. Meyer recognizes interpersonal and animal figures as a partly metaphorical, partly portrait-like "physical affinity", which abolishes the clearly drawn boundaries between the two.

38 Euro
ISBN 978-3-7356-0708-9
24 × 30 cm
96 pages74 colored and 14 b / w illustrations
Hardcover
Languages: German, English
Editors Dana Meyer, Jörk Rothamel, Galerie Rothamel
https: //www.kerberverlag.com/de/1840/dana-meyer  
Design bySina Müller, Halle (Saale)

Nguyen Xuan Huy Talking about Black Holes Art Collection Jena
December 12, 2020 to March 7, 2021
A catalog appears.

Graceful, naked female bodies, dancing or floating in erotic poses through unreal worlds. With dreamy, blissfully smiling or ecstatic faces, agile young people loll around on cushions, sometimes alone, sometimes as a group in atmospherically illuminated landscape scenes. The oil paintings by Nguyen Xuan Huy, painted in the manner of the old masters, are immediately overwhelming in their beauty. And they are disturbing - because the deceptive appearance quickly reveals itself and changes the mood: twisted or crippled limbs are noticed and threatening details such as machine guns, chicken wings or socialist symbols lurk everywhere. His identity is directly linked to the Vietnam War as the fundamental trauma of his origins. The consequences of the defoliant Agent Orange used by the US Army, which to this day causes numerous deformities, are just as central to his works as the socialist ideology with which he grew up in the communist country. Since 1994, Nguyen Xuan Huy has had his permanent residence in Germany and especially the perspective from the outside enabled him to artistically deal with the propaganda which, as he says, made him believe in a naive worldview of good and bad for a long time. In addition, there is an interested look in the other direction - at the tradition of Europe. Western art history inspired the painter at an early age, as can be seen in many quotes and allusions as well as his realistic, sensual way of depicting the human body. The mixing of these very different backgrounds led Nguyen Xuan Huy to see the many images in his head, despite all opposites to visually intertwine in large-scale fictions. Various set pieces from reality, ambiguous and puzzling moments of action and eerie, often dodgy atmospheres create a surreal world in which the logic of everyday life is undermined. While the usual boundaries are broken, dream and nightmare merge symbiotically. With Nguyen Xuan Huy, the Jena Art Collection presents fascinatingly sensual painting, which provokes emotional and intellectual reactions and demonstrates how the attractive and the repulsive can stimulate each other.