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Hans-Christian Schink in the Kunsthalle Erfurt

Hans-Christian Schink in the Kunsthalle Erfurt

Until January 10, 2021, Hans-Christian Schink will present his retrospective “So far. Photographs since 1990 ”. Seldom has there been an opportunity to see the oeuvre of the most important contemporary Thuringian artist in such a wide range. The show develops a compelling presence. This is possibly the strongest exhibition that has ever been seen in the Kunsthalle.

The German museums are currently closed. Nevertheless, it is possible to visit the exhibition as part of free educational offers. All hygiene measures are observed. For information and dates, please contact Ms. Grit Becher, Kunsthalle Erfurt, Tel. 0361 655 16 25.

In addition to Hans-Christian Schink's exhibition “So Far” in the Kunsthalle Erfurt, we are presenting selected works from the “Vietnam” and “Antarctica” series in our gallery. Visitors are asked to register by phone or email if possible. 0361 562 33 96 or galerie@rothamel.de.

 


18. November 2020

Picturetime - Mona Broschur

Picturetime - Mona Broschur

Anyone looking at this picture seems to be looking into a showcase. The back is covered with a floral, flat-looking wallpaper, the floor is gray. The showpiece is a vase with a floral pattern on a black background, accurately placed in the center of the picture. Light reflections on the arch reinforce the impression of a neat presentation. But oh dear, the museum ambience of the pretty still life is disturbed! Rosy sausage shapes have crawled up to the fine ceramic from five sides and seem to want to climb it. One instinctively looks for traces of slime. But no, the artist didn't paint us any. Are these sausages just obscenely shaped supports, conceived by the crazy curator? They always mess up the pretty picture. Not only the geometrical symmetry suffers, the aesthetic one too. Is it politically incorrect, even racist, for the viewer to be uncomfortably touched by this pink invasion? Asymmetry, it turns out, can have psychological aspects too ... Mona Broschár studied at the Camberwell College of Arts in London and as a master student of Annette Schröter at the University of Graphic and Book Art in Leipzig.

30. October 2020

Picturetime - Ellen Akimoto

Picturetime - Ellen Akimoto

Ellen Akimoto's work “Nachtzeit” shows a room composed of patterns and colored surfaces like a quilt. The traditional laws of space and perspective do not apply here. The dark behind the window is an absolute matt black. An introversial, haunting event unfolds on this stubborn stage. A young woman looking into the distance, mouth slightly, forearms in apprehension, the experience of understanding. The author of her revelation is the old woman sitting facing her, ghostly, silent, empathetic, visitor from another dimension. 700 years ago Giotto called the knowledge of the medieval worldview of reality into the picture. Ellen Akimoto's painting centers the perspective again on the arbitrary. Her art thus consists of a social process, of access management and self-administration. “Nighttime” is one of the iconic images of our time. Ellen Akimoto was born in Westlake Village in 1988. You have studied at the California State University, Chico, the Art Academy Mainz and as a master student of Annette Schröter at the University of Graphic and Book Art Leipzig.

01. October 2020

PICTURETIME - Marten Schädlich

PICTURETIME - Marten Schädlich

Marten Schädlich in his work “Einzelwir” the philosophical concept of the monad into the picture, the simple and indivisible taxes. Monads are safe - there are no two alike - and they are self-sufficient - there is nothing that is better or can step outside. In their totality they form reality, although there is no real effect. Two towers, the right one like huge cliffs, stand in a landscape with wide green areas, scattered trees and strange elevations. The towers rise up into the clouds. Their common rights from their balconies have some outlook. You lost him in a trance. There is no experience between them. Everyone remains trapped in their own vision. Marten Schädlich's work “Einzelwir” formulates a parable of our society, which erodes through contact, exchange and perception of reality - just like the tower cliffs. Marten Schädlich (* 1986, working in Leipzig with Annette Schröter). Personal signs can be discovered in his eyes that give the guide hints: for example the banana tree in the arch of the doorway of the right tower, the bush at the entrance to the slow tower or the bicycles on which they give themselves climate-friendly to their huts.

25. September 2020

Excavation - Nguyen Xuan Huy

Excavation - Nguyen Xuan Huy

Nguyen Xuan Huy's current work is entitled "Excavation", "Ausgrabung". The eye is the symbol of perception.
Once buried, we can no longer differentiate between good and bad. Now we try to expose it again ... a Sisyphean work.Ngyuen Xuan Huy came to Germany from Vietnam at the age of 17, studied at the Halle Castle and completed a master's degree at the same art college. Scholarships have taken him to France and the United States. Today he lives in Berlin, inspired by classic European painting from the Renaissance to the Fauves, Nguyen develops image programs with high thematic density and social explosiveness. In the first years after completing his studies, Nguyen was still devoted to Vietnamese topics, but has been setting for about a decade he is critical of the state of Europe. His works are often metaphorical and take up iconic compositions: Géricault's "Le Radeau de la Méduse", Matisse's "La Danse", Goya's "Caprichos" and "Desastres", Michelangelo's ceiling paintings in the Sistine Chapel. Nguyen's paintings are constructive, vital, perfectly staged and virtuously set provocation. They differ in form and content from almost everything we know from current art.
They challenge their viewers emotionally and intellectually.
Next exhibition: Nguyen Xuan Huy, The Mirror, Galerie Rothamel Frankfurt, September 4 to October 17, 2020


03. August 2020

Pricelist Wieland Payer

Pricelist Wieland Payer

Blue Fall, 2020 x Pastell, Aquarell und Kohle auf grundiertem MDF, 190 x 300 cm, 14700 Euro
 
Atlantic, 2018, Pastell und Kohle auf grundiertem MDF, 80 x 120 cm, 6000 Euro
 
Stargate, 2018, Pastell auf grundiertem MDF, 145 x 145 cm, 8700 Euro
 
Brand , 2019, Pastell, Aquarell und Kohle auf grundiertem MDF, 100 x 150 cm, 7500 Euro

Terra Incognita, Tondo, 2020 x Pastell, Aquarell und Kohle auf grundiertem MDF, ∅ 108 cm, 6500 Euro
 
Felsentor, 2018, Pastell, Aquarell und Kohle auf grundiertem MDF, 70 x 100 cm, 5100 Euro
 
Druse (Detail), 2020 x mixed media, 70 x 80 x 60 cm, 4500 Euro
 
Tal, Tondo, 2020 x Pastell und Aquarell auf grundiertem MDF, ∅ 70 cm, 4200 Euro

Kraut, 2019, Pastell, Aquarell und Kohle auf grundiertem MDF, 65 x 50 cm, 3500 Euro

Eismeer, 2020 x Pastell und Kohle auf grundiertem MDF, 15 x 18 cm, 750 Euro

Schwefelbach, 2020 x Pastell und Aquarell auf grundiertem MDF, 15 x 18 cm, 750 Euro
 
Pyramidenberg, 2018, Pastell und Kohle auf grundiertem MDF, 15 x 18 cm, 750 Euro

18. June 2020

Hans-Christian Schink in Kummerow Castle

Hans-Christian Schink in Kummerow Castle

From June 20, 2020 Opening: June 20, 2020 Curator: Daniel Blochwitz This year's Provincia special exhibition combines four positions with photographs by Ingar Krauss, Ute Mahler & Werner Mahler, Hans-Christian Schink and Ulrich Wüst, which deal with life in different ways away from the metropolises dedicate. The Photographic Collection - Kummerow Castle thus also introduces the new format of an annual temporary exhibition.
The Latin term Provincia was used in the administrative terminology of Rome: here the supply of the ancient metropolis was ensured.
And while the late Latin meaning of the word is still used today in large parts of Europe as a "region" or "district" in neutral language, the corresponding German term "province" has a negative connotation here. Mecklenburg-Vorpommern is such for many people an epitome of province - a near-natural and poorly populated federal state with comparatively few and rather small cities.
The youth in particular always seem to be on the go here. At the same time, the area is also a place of longing for stressed city dwellers with promises of freedom for dreams and experiments, as well as space for relaxation and seclusion. The exhibition in Kummerow Castle does not represent the province as a lost or even detached region.
Instead, the unexcited and often poetic images show one neglected, but quiet area full of potential.
30. May - June 28, 2020
Saturday and Sunday
11 a.m. - 5 p.m.
1. July - 27 September 2020
Wednesday to Sunday
11 a.m. - 5 p.m.
2. October - November 1, 2020
Friday to Sunday 11 a.m. - 5 p.m.
Holidays during the season
11 a.m. - 5 p.m.


16. June 2020

Dana Meyer in Fromman's garden A project by the Institute for Art History of the FSU Jena

Dana Meyer in Fromman's garden A project by the Institute for Art History of the FSU Jena

June 3 to July 12, 2020 | Frommannscher Garten | Fürstengraben 18, 07743 Jena | Mon - Fri: 8 a.m. - 8 p.m. The ninth Frommann's Sculpture Garden shows works by the sculptor Dana Meyer: sculptures of haunting physicality are presented on Frommann's estate. The artist creates her works in the medium of steel. She forms material finds in the forge and joins them together by welding; piece by piece, animal or human figures develop from a steel patchwork. When assembling, the artist is intuitively guided by the material. The gaps between the segments allow insight into and through the objects. The resulting permeability and the impression of fragility contrast with the solid material. opening hours June 3 - July 12 Frommannscher Garten: Fürstengraben 18, 07743 Jena Mon - Fri: 8 a.m. - 8 p.m. (free entry) The FrommannscheSkulpturenGarten is a cooperation project that has been taking place every year in early summer since 2012 between the Chair for Art History at the Friedrich Schiller University in Jena, the Jena Art Association and the Kunsthof Jena e.V. The exhibition is supported with the kind support of: JenaKultur, SV Sparkassen Versicherung, Sparkasse Jena-Saale-Holzland, Stadtwerke Jena-Pößneck, Thüringer Kulturstiftung.


03. June 2020

Book launch Ellen Akimoto

Book launch Ellen Akimoto

Creamy Feelings Curdle Ellen Akimoto's (* 1988) painting is figurative, contemporary and captivates with its ingenuity. As Wolfgang Ullrich writes, she “not just quotes stylistic devices from the repertoire of recent painting history”, rather she puts them “into surprising, funny relationships with each other and transforms them into something new in their connection.” So change "monochrome surfaces in the style of suprematism" with a new, factual detailed realism or a "painted landscape painting suddenly turns into an abstract painting" and "merges with the face of a woman". Ellen Akimoto June 2020 ISBN 978-3-7356-0714- 0 21 × 27 cm 64 pages 34 color imagesHardcover Languages: German, English Editor Gallery Rothamel Texts by Wolfgang Ullrich Design by Jan Motyka The catalog costs 28 euros and can be ordered from us now.


01. June 2020

Pricelist Heracles - Harald Reiner Gratz

Pricelist Heracles - Harald Reiner Gratz

Herakles im Augiasstall, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und Antaios, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und der erymanthische Eber, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und der Gürtel der Hippolyte, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und der nemäische Löwe, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und der Stier des Poseidon, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und die Äpfel der Hesperiden, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und die lernäische Hydra, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und die stymphalischen Vögel, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und Kerberos, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro


17. May 2020

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