News

Under the title "Über Land," the MdbK is presenting the latest series of works by renowned photo artist Hans-Christian Schink (*1961 Erfurt). The subject of the work is the landscape of the far northeast of Germany, which the photographer illuminates from different perspectives in three different sub-projects. From a visual perspective, "Über Land" is a multifaceted, contemporary exploration of the influential tradition of European and North American landscape depictions—particularly Romanticism. At the same time, the work sits at the intersection of current social debates about the transformation of the landscape in the wake of climate and structural change, the associated loss of biodiversity, and the impacts of these processes on people's experience of nature.

While his projects over the past 20 years have taken him to the most remote corners of the world, Hans-Christian Schink has been concentrating for the past few years on his immediate surroundings in the Mecklenburg Lake District. This region – shaped by the last Ice Age – is extremely sparsely populated and, more recently, characterized by increasingly industrialized agriculture. In addition to his intensive photographic engagement with the landscape, his latest work combines a natural history interest in the flora and fauna, as well as an exploration of the history of the landscape (both geological and human-made). The artist was guided by two fundamental questions: What defines this landscape, and how can its character be captured photographically, but also through other forms of expression?

Two of the three subprojects of Über Land (Hinterland and Unter Wasser) have already been published as books by Hartmann Books. On the occasion of the exhibition opening, the third subproject, Am Weg (On the Way), will also be published, featuring an essay by poet and writer Uwe Kolbe that captures the peculiarities of the place on a literary level.

Art Karlsruhe 2025
20. bis 23. Februar

Our stand will be located in Hall 1 at position A 26.

We are looking forward to your visit!

Kind regards
Jörk Rothamel

The longing for stories is back. For us, the current edition of Art Karlsruhe 2025 is all about narrative, storytelling art: painting, photography, sculpture and ceramics. All of the artists presented are masters of the means of their respective medium and convey substantial content in their works. The narratives are extraordinarily multifaceted, reach deep into art history and are at the same time highly topical.

We present works by

Jörg Ernert
Grita Götze
Moritz Götze 
Hiroyuki Masuyama
Nguyen Xuan Huy
Wieland Payer
Hans Christian Schink
Thitz

Hall 1 / A 26
 
Karlsruhe Trade Fair Center, Messeallee 1, 76287 Rheinstetten, Germany
+49 177 599 84 45
 

VIP  Preview on Wednesday, February 19 from 1 to 8 pm
 
Regular opening hours

Thursday to Saturday: 11 a.m. to 7 p.m.
Sunday: 11 am to 6 pm.

Dear friends,

A truly rich year full of events and twists and turns lies behind us and there are reasons to be grateful.

Jörg Ernert kicked off the year in our Frankfurt gallery at Fahrgasse 17 with his wonderful show “Traghetto”, which focused on Venice and the city's artists.

Jörg Ernert in Frankfurt

A few days later, the Gemäldegalerie of the Staatliche Museen zu Berlin presented the first works of art from the holdings of the Museum of Western and Eastern Art in Odessa. The museum's most important works were brought to safety immediately after the outbreak of war and subsequently to Berlin, a process in which our gallery played a small part. However, the presentation in January 2024 was only a small foretaste. The major exhibition with all the rescued works will be on display from January 24 to June 22, 2025.

Museum of Western and Eastern Art, Odessa

In 2024, we celebrated Caspar David Friedrich's 250th birthday. Many contemporary artists have explored this great role model, but probably none as intensively as Hiroyuki Masuyama. Consequently, Masuyama was in great demand this year: he exhibited at the Hamburger Kunsthalle, the Bundesrat, the Alte Nationalgalerie and the Pommersches Landesmuseum in Friedrich's hometown of Greifswald. And of course with us.

Hiroyuki Masuyama, Bundesrat

Romanticism in Artificial Light, Erfurt

With the Erfurt show “Romanticism in Artificial Light”, we stuck to the theme and showed works by Jörg Ernert, Moritz Götze, Hiroyuki Masuyama, Nguyen Xuan Huy, Wieland Payer, Marten Schädlich, Hans-Christian Schink and Raïssa Venables.

In Frankfurt, we took up the context once again under the title “Mixed Devotions” - and at the end of June we had to finally leave the space we had occupied since 2005. The owner had sold the property to a “creative agency”, which is still not using it today. 

Mixed Devotions, Frankfurt

In the summer there was a short intermezzo in the space of the neighboring Galerie Schwind (“Across the River and into the Trees” with Hjördis Baacke, Thorsten Groetschel,

Dana Meyer and Wieland Payer) and so the long chapter in the gallery's history in Frankfurt seemed to come to an end after 19 years and 153 exhibitions. Since 2005, Fahrgasse had grown into a functioning gallery biotope with great colleagues and a great team spirit, and I left with regret and gratitude.

Across the River and into the Trees, Frankfurt

Nevertheless, the new situation was perfectly fine for me personally, because the Erfurt gallery, our family, a still open building site and various art fairs offered more than enough to keep me busy. For the gallery's artists, the situation turned out to be less welcome, because fewer exhibitions naturally mean lower sales. And somehow... it also felt strange for me to be standing on one leg.

Reuterweg 71, Frankfurt

A message had already arrived from Barbara von Stechow on July 2, a photo of a shop window with a telephone number. At the end of the summer, I looked into the matter.A former savings bank in Frankfurt's Westend, on the corner of Reuterweg and Grüneburgweg, charming but challenging. Super nice landlords. Without further ado, I threw all my plans overboard and accepted.It turned out to be a forced move. My son gave up his autumn vacation together, my family showed understanding and Constance Rothamel and Grant Morton supported the project with all their might.It was touch and go several times, but then everything worked out

It opened on October 9, with highlights from the gallery program and a lavish party.The floor is new, but further renovation work and professional lighting are still pending.

Frankfurt Opening

Setup in Luxembourg, with Hiroyuki Masuyama


In November, the small Erfurt “artthuer” took place, an artists' fair that is actually taboo for a gallery, but out of local solidarity and sympathy for Michaela Hirche from VbK and her great work, we took part. It was again very entertaining and informal, but the real focus was on Luxembourg Art Week, which started two weeks later. That too is now history and Art Karlsruhe 2025 opens on February 19 - you are already cordially invited!

Art Karlsruhe, 2024

Art Karlsruhe, 2024


Finally, elections will be held on February 23 and I have a small hope that the problems of this country might finally be tackled. If our professional politicians continue to fail, we should switch from the electoral system to the lottery system (which has proven itself some times in the history of democracies).

But first things first: On behalf of all our artists and fellow campaigners, I wish you and your loved ones a relaxing and reflective Christmas and all the very best for the New Year 2025 - health, happiness, success, love and peace!

Our first exhibition in the new year starts in Frankfurt on Friday, January 17, 2025 at 6 pm. We are showing works by Hiroyuki Masuyama and cordially invite you to join us. The artist will be present and we look forward to seeing you again.

Sincerely
Yours, Jörk Rothamel

Already firmly planned for 2025: the annual Easter hike with Grita and Moritz Götze.

From December 23rd to January 5th we will be on Christmas vacation and our galleries will be closed.

Ladies and gentlemen, dear friends,

This memorable year is drawing to a close and Christmas is approaching inexorably. Despite all the world events, we are once again celebrating our infamous wish punch this year and invite you to take a sip and enjoy the last art acquisition of the year.

We look forward to your visit: on Saturday, December 14, from 4 to 6 p.m. in our Frankfurt gallery, Reuterweg 71.

LUXEMBOURG ART WEEK
22 - 24 November 2024

We are pleased to present a selection of works by
Hiroyuki Masuyama and Nguyen Xuan Huy
We look forward to welcome you at our booth D08.
Kind regards, Jörk Rothamel





Luxembourg Art Week
Glacis Square, Eingang | entrance Allée Scheffer, L-1628 Luxembourg

VIP and Pro Day ( by invitation)  Thursday, 21 November 2024, 12–18 h
Preview (by invitation) Thursday, 21 November 2024, 19–22 h

Nocturne Friday, 22 November, 18-22 h

Public hours  
Friday, 22 November 2024, 12-18 h
Saturday, 23 November 2024, 10:30–18 h
Sunday, 24 November 2024, 10:30–18 h

The exhibition shows a lesser-known area of ​​Moritz Götze's work: graphic portfolios, illustrations and books. In this specific area of ​​work, Götze proves himself to be a master storyteller with an independent visual language. This includes graphic portfolios from the 1980s and 1990s such as "James Bond 007" (1989), "The Prince's Abduction" (1992) and "Tristan and Isolde" (1993/94) as well as artist books such as "Gulliver" (1996) and illustrations such as for Manfred Krug's 1999 volume of poetry ("66 poems - what's the point"). Cover designs for magazines and records will also be presented.Jens-Fietje Dwars on the award winner: "This is Moritz Götze's art of uniting opposites: past and present, closeness and distance, sensuality and abstraction, dream and reality, art and life - and all of this in the medium of painting that is both modern and timeless. It has wit, freshness and a rare esprit in the German art world." (2024)

14 November 2024, 7 p.m.
AWARD CEREMONY AND EXHIBITION OPENING
(by invitation)

24 November 2024, 11 a.m.
MATINEE AND GUIDED TOUR
with Ekkehard Maaß, Bulat Okuschawa and Moritz Götze

15 December 2024, 3 p.m.
FINISSAGE
with Jens-Fietje Dwars and Moritz Götze

to his works>>

Greifswald is the birthplace of Caspar David Friedrich. In the anniversary year of Friedrich's 250th birthday, Hiroyuki Masuyama is exhibiting twice in the beautiful Hanseatic and university city. A small but concentrated and excellent presentation can be seen in the Pomeranian State Museum until January 5, 2025. An exhibition by the artist opens next Friday, September 13th at 7 p.m. in the STP Gallery and will be on view until November 8th.

Pommersches Landesmuseum
Rakower Str. 9
Greifswald

STP Galerie
Mühlentr. 20
Greifswald

July 18 to October 6, 2024
Siesmayerstrasse 61
60323 Frankfurt am Main

Insects are irreplaceable. But their number and diversity are decreasing rapidly. In his annual exhibition “Playful? – Roulette with the insect and plant world” from July 18th to October 6th, 2024, the Palmengarten is dedicated to the ecological importance of flowers and pollinators. Along a varied route through the outdoor area, the historic palm house and the galleries, thirty-one artists illustrate our dependence on insects and plants as well as their incomparable beauty with metal sculptures, video animations, sound art, photography, painting and other media. Visitors can look forward to a unique art experience.

With works of art by: Justus Becker, Sonja Edle von Hoeßle, artist group finger, Lili Fischer, Verena Freyschmidt, Lea Grebe, Detlev Gregorczyk, Markus Heinsdorff, Maren Jeleff & Klaus Pichler, Andreas Koppe & Stefanie Kösling, Caro Krebietke, Hama Lohrmann, Dana Meyer , Thilo Nass, E.R. Nele, Inge Marion Petersen, Renate Reifert, Lasse-Marc Riek, Franz von Saalfeld (Atelier Goldstein), Anna Schamschula, Jan Schmidt, Vroni Schwegler, Susa Templin, Anaïs Tondeur, Michael Tuss, Violeta Vollmer, Claudia Wiens, Katarzyna Zommer, students from the Faculty of Design at Mannheim University of Applied Sciences

Exhibition idea, conception and co-fundraising: Dr. Nadja Tomoum ​​in collaboration with the Palmengarten

Early works by Manuela Sambo can currently be seen in the exhibition “There is no there there” at the Museum of Modern Art in Frankfurt.
The museum has purchased all of the works - we warmly congratulate the artist!

Manuela Sambo was born in Luanda (Angola). As a child, she was surrounded almost exclusively by African art. In the 1980s she studied German and literary studies in Leipzig. Through her future husband, the painter Daniel Sambo-Richter, she came into contact with East German underground art. Their neo-expressive language was often based on African and non-European motifs and was open to the magical rituals of early cultures.

While she was still studying, Manuela Sambo created her first works of art, initially smaller masks. After receiving her diploma, she devoted herself entirely to fine art. She created sculptures, works on paper and her first paintings. The artist was fascinated by figures of the Virgin Mary and was interested in European art history.

Hans-Christian Schink:
Under Water
07. July 2024 - September 22, 2024
Opening on Sunday, July 7, 2024, 11:30 a.m.

When the glaciers of the last Ice Age melted around 12,000 years ago and the ice gradually receded, one of countless was created in what is now northeast Germany, in Mecklenburg-Western Pomerania Landscape crossed by water. This landscape with the typical glacial surface forms of ground moraine, terminal moraine, sander and glacial valley is the region with the highest proportion of water areas in Germany. Rivers and streams totaling 26,000 km and more than 2,200 lakes characterize the topography.

H.C. Schink in the Bautzen Museum
May 25th to August 25th, 2024
Opening on Saturday, May 25th at 3 p.m

Bautzen in Upper Lusatia is one of the most attractive German cities. It is located 50km east of Dresden. Anyone who doesn't know Bautzen before now has a solid reason to visit. Hans-Christian Schink will be exhibiting at the Bautzen Museum from May 25th to August 25th. This exhibition will primarily feature works from the “1h” project as well as a large number of photographs on the topic of “built environment” from the series “Traffic Projects”, “Tohoku”, “Aqua Claudia” and “EUR”. The Bautzen Museum is worth a visit just because of the building and its collections.

“Light and time. Photographic projects by Hans-Christian Schink”
On behalf of the artist, we warmly invite you to the opening on Saturday, May 25th at 3 p.m.

Bautzen Museum
Kornmarkt 1
02625 Bautzen

Ellen Akimoto, Speaking Intently, 2019, oil and acrylic on canvas, 200 x 150 cm


Jörg Ernert, Rialto (Nach Carpaccio) (2. Fassung), 2023, acrylic on canvas, 130 x 120 cm


Moritz Götze, Schildträger, 1999, oil on canvas, 200 x 100 cm


Eckart Hahn, Tauben, 2009, acrylic on canvas, 120 x 80 cm


Hiroyuki Masuyama, Kreidefelsen auf Rügen (nach Caspar David Friedrich, 1818), 2017, LED Lightbox, Edition 5, Exemplar 1/5, 90,5 x 71 x 4 cm


Manuela Sambo, Unity of Soul, 2012, oil on canvas, 130 x 150 cm


Hans-Christian Schink, Rothe Kirche, 2017, Aluco/UV-Glass anti-reflective, Edition 8+2 AP, 90 x 104 cm


Raïssa Venables, Zionskirche (small version), 2005, c-print / diasec, Edition 5, 99 x 79 cm


Nguyen Xuan Huy, Vera, 2023, oil on canvas, 207 x 147 cm

The Saxon Academy of Arts has appointed Hans-Christian Schink and Christiane Baumgartner as its new members.

The academy opens on the occasion
on April 16, 2024 at 7 p.m. at Palaisplatz 3 in Dresden there will be an exhibition with works by the two of them.

We warmly congratulate you!

In 2024 we celebrate Caspar David Friedrich's 250th birthday. Many contemporary artists have explored this great role model, but probably none as intensively as Hiroyuki Masuyama. Consequently, Masuyama is in great demand this year: he is exhibiting at the Hamburger Kunsthalle, the Bundesrat, the Alte Nationalgalerie and the Pommersches Landesmuseum in Friedrich's native city of Greifswald. And of course with us!

Die Lebensstufen (nach C.D.Friedrich, 1835), 2023, LED Lightbox, 72 x 94 x 4 cm, Edition 5 + 2 AP, 15000 Euro

Hamburger Kunsthalle, 15.12.2023 - 1.4.2024
Rothamel Gallery at the Art Karlsruhe, 22-25 February 2024
Old National Gallery, 14 April 2024 - 4 August 2024
German Federal Council, 21 March - 21 June 2024
Rothamel Gallery Frankfurt, 6 December 2024 to January 2025
 
Hiroyuki Masuyama focuses on space and time. He condenses their presence and flow into overwhelming yet subtle works.
 
For Masuyama, art is a great adventure and freedom beyond all restrictions of space and time: he shows us places where all seasons prevail at the same time. He proves that you can see something from all sides at the same time. He cycles through an entire year in one minute and lets us float freely in space.


Das große Gehege (after C.D. Friedrich, 1832), 2016, diasec/led lightbox, edition 5, 73,5 x 102,5 x 4 cm, 12.000 Euro

A whole series of time travels leads Masuyama to Caspar David Friedrich. Masuyama recomposed the works of the great Romantic artist from hundreds of photographic images and allows us to experience their fascination anew in a contemporary form.
 
"The temporal levels merged in this way emphasise once again: art only ever has one present. It is the one in which thinking about it takes place." Michael Freitag

Galerie Rothamel - Art Karlsruhe 2024
February 22 - 24, 2024

Hall 1 / A 24 and sculpture square Hall 1 / B26 
Karlsruhe Trade Fair Center, Messeallee 1, 76287 Rheinstetten, Germany
Preview on Wednesday, February 21 from 2 to 7 pm.
Thursday to Saturday: 11 a.m. to 7 p.m.
Sunday: 11 am to 6 pm.

The longing for stories is back. For us, the current edition of Art KA 2024 is all about narrative, storytelling art: painting, photography, sculpture and ceramics. All of the artists presented are masters of the means of their respective medium and convey substantial content in their works. The narratives are extraordinarily multifaceted, reach deep into art history and are at the same time highly topical. 

Soloshow
Moritz Götze

Ordnung und Disziplin (Rostocker Pappe) 2022, Mischtechnik auf botanischer Wandtafel, 81 x 67,5 cm, 3200 Euro

Götze describes his art as German Pop and dates its roots back to the Humanist art of the 16th century. He has created one of the most extensive artistic
oeuvre of our time: Paintings, architectural artworks, enamels, mosaics, sculptures, objects, drawings and graphics.
He created new screen printing techniques and renewed contemporary enamel painting.

Sculpture Square
Grita Götze

Tageszeiten, 2022, Engobemalerei, Hohe 50 cm, 6000 Euro

Grita Götze creates ceramics whose quality confidently transcends the boundaries of applied art: her painting is virtuoso, her technical perfection enormous. Works by the artist can be found in collections such as the August Kaestner Museum in Hanover, the Badisches Landesmuseum in Karlsruhe, the Kunstmuseum Moritzburg in Halle, the Kunstgewerbemuseum in Berlin and the Museum Ludwig.

"Anyone who wants to experience how beauty and the image of nature can mutually enhance each other in the artistic object will find fascinating visual models in Grita Götze's ceramic works. With the gesture of the self-evident, usability and decoration, vessel form and ornament are in perfect harmony in these objects."

Karin Thomas

The artist works on these vessels for weeks. They are the visible luxury of time at rest. Self-will and an astonishing degree of mastery are her unique selling points. There is no squinting to the side. This is a splendor that does not care in the least about concepts, trends, innovations and all the other current affairs.

Hiroyuki Masuyama

Die Lebensstufen (nach C.D.Friedrich, 1835), 2023, LED Lightbox, 72 x 94 x 4 cm, Auflage 5 + 2 AP, 15000 Euro

In 2024, we will be celebrating Caspar David Friedrich's 250th birthday. Many contemporary artists have explored this great role model, but probably none as intensively as Hiroyuki Masuyama. Consequently, Masuyama is in great demand this year: he is exhibiting at the Hamburger Kunsthalle, the Bundesrat, the Alte Nationalgalerie and the Pommersches Landesmuseum in Friedrich's hometown of Greifswald. And of course with us! 

Hiroyuki Masuyama focuses on space and time. He condenses their presence and flow into overwhelming yet subtle works. 

For Masuyama, art is a great adventure and freedom beyond all limitations of space and time: he shows us places where all seasons reign at the same time. He proves that you can see something from all sides at the same time. He cycles through an entire year in one minute and lets us float freely in space.

A whole series of time travels leads Masuyama to Caspar David Friedrich. Using hundreds of photographic images, Masuyama recomposed the works of the great Romantic artist and allows us to experience their fascination anew in a contemporary form.

"The time levels merged in this way make it clear once again: art only ever has one present. It is the one in which thinking about it takes place." Michael Freitag

Dana Meyer

Dana Meyer's "South Pacific Expedition" has already lasted several years. To date, it has yielded a rich collection of fictitious metal insects, which the artist classifies, stores in antiquated jars and labels neatly. She lists numerous South Sea islands as the places where she found them, dating them to the first decade of the twentieth century. 

Nguyen Xuan Huy

Vera, 2023, Öl auf Leinwand, 207 x 147 cm, 24.800 Euro

One of the most exciting positions in contemporary painting is represented by a man born in Hanoi. His works are nothing less than a proposal for a new European art. He often makes his statements in the form of mythological, philosophical or literary parables. Transcending the avant-garde, he builds a bridge from classical European art to the visual culture of the present. His paintings are cultivated and at the same time unsparing analyses of the current state of our continent and its inhabitants.

Nguyen Xuan Huy was born in 1976. He studied at the Hanoi School of Architecture, at the Ecole des Beaux Arts in Bordeaux and received his diploma in painting at the HfKD Burg Giebichenstein in Halle in 2003. He lives and works in Berlin.

Thitz

London Utopian Tower Bridge, 2021, Acryl und Tüten auf Leinwand, 120 x 180 cm, 16500 Euro

"Bags and acrylic on canvas" is how Thitz describes the material structure of his paintings. Vivid, tangible, immediate testimonies to a world steaming with vitality. "If you really want to paint big cities, you must not depict an imaginary city, but try to paint the perceived experience itself, with all the noises, noise, dust and smells. An infinite amount of information fits into one second of a city - I mean this city, these are my inner images," Thitz postulates.

Dear friends, ladies and gentlemen,

We wish you all the best, happiness, health and wonderful art experiences for the new year 2024!

 a few meters to the left

We are starting with a move. Our Frankfurt gallery is relocating from Fahrgasse 17 to Fahrgasse 17, so in the future you will find us a few meters to the left in the same building. And thus - as the longest-serving gallery - we will remain on this special street.

Since the opening of our Frankfurt branch in 2005, eight other colleagues have settled in Fahrgasse, with whom we are on good terms. We organize the vernissages together. In our wake, a number of restaurants have moved into the small street. It's a great place to stroll between the Museum of Modern Art and the banks of the Main. The Schirn and Kunstverein are just around the corner, the Städel is just a short walk away.

We are glad to be able to stay a little longer in this biotope. In the new space we will open an exhibition of wonderful works by Jörg Ernert. We cordially invite you and your friends to the opening with the artist on January 19, 2024 at 7 pm!

>> Running Prensentation

Halle am Meer
Moritzburg Art Museum
Kunsthalle Talstraße
Halle (Saale)
24.6. - 17.9.2023

Ahrenshoop on the Fischland-Darß peninsula has been and still is a place of relaxation and inspiration for Halle's artists for a hundred years. Halle am Meer presents for the first time in a large panorama the
presents works created in connection with the Baltic Sea and brings together almost 300 works, mainly by painters from Halle, from one and a half centuries.

The exhibition project is a cooperation with the Dresden Institute for Cultural Studies and will take place in the summer of 2023 in Halle (Saale) in the Kunstmuseum Moritzburg and in the art gallery "Talstrasse" as well as in autumn/winter 2023/24 in Ahrenshoop in the local art museum and the Kunstkaten.

In the art museum Moritzburg Halle (Saale) the development from the Second World War up to the present is shown. The narrative continues seamlessly with works from the next generation in the late 1940s and reports on the furious new beginning in Halle.

Exhibitors include Grita Götze, Moritz Götze and Wieland Payer.

Our presentation "Under Water" with recent photographs by Hans-Christian Schink ran until the beginning of last month. Today Hans-Christian Schink was appointed member of the Saxon Academy of Arts. We congratulate very warmly!

Dana Meyer 

Südpazifik Expedition, verschiedene Exponate, 2018-2023

Wieland Payer

Piranha Fishing, 2023, Pastell und Aquarell auf MDF, 102 x 66 cm, 5000 Euro

Waldkristall, 2023, Pastell und Aquarell auf MDF, 100 x 70 cm, 5100 Euro

Curtain, 2023, Pastell und Aquarell auf MDF, 100 x 100 cm, 6000 Euro

Saal, 2023, Pastell und Aquarell auf MDF, 100 x 100 cm, 6000 Euro

Jungle Pool, 2023, Pastell und Aquarell auf MDF, 100 x 130 cm, 6900 Euro

Lagune, 2023, Pastell und Aquarell auf MDF, 100 x 150 cm, 7500 Euro

Seeker, 2023, Pastell, Tusche und Aquarell auf MDF, D 145 cm, 8700 Euro

Cuyabeno, 2023, Pastell und Aquarell auf MDF, 180 x 120 cm, 9000 Euro

Piranesis Garten, 2023, Pastell und Aquarell auf MDF, 230 x 150 cm, 11400 Euro

Druse, 2023, Pastell und Aquarell auf MDF, 40 x 30 cm, 2100 Euro

Something, 2023, Pastell und Aquarell auf MDF, D40 cm, 2400 Euro

Moritz Götze
Hiroyuki Masuyama
Dana Meyer
Nguyen Xuan Huy
Wieland Payer
Thitz
Unikat-Edition

VIP Preview:
Wed, May 3rd, 2–7pm

Vernissage:
Thu, May 4th, 11am–9pm

visitor days:
Fri–Sat, May 5th–6th, 11am–7pm
Sun, May 7th, 11am-6pm


We are looking forward to your visit!
Kind regards, Jörk Rothamel

Galerie Rothamel
Halle 3 / J 32 und H 32
Messeallee 1, 76287 Rheinstetten
+49 177 599 84 45
www.rothamel.de
galerie@rothamel.de

Unter Wasser # 38, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 25, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 59, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 64, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 2, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 6, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 9, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 10, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 12, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 13, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 16, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 21, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 24, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 29, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 30, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 31, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 32, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 39, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 44, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 46, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 49, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 52, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 58, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 61, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 62, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 63, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Unter Wasser # 65, 2020-2021, Archival Pigment Print, gerahmt unter Museumsglas, 42 x 58 cm oder 100 x 140 cm, Edition 8+2 AP, 4.200 Euro oder 14.700 Euro

Abtei im Eichwald (nach Caspar David Friedrich, 1808-10), 2017, LED Lightbox, Auflage 5, 110,4 x 171 x 4 cm, 20.000 Euro

Dorflandschaft bei Morgenbeleuchtung (nach Caspar David Friedrich, 1822), 2007, LED Lightbox, Edition 5 + 1AP, 55 x 71 x 4 cm, 10.000 Euro

Greifswald im Mondschein (nach Caspar David Friedrich, 1817), 2016, Diasec/LED Lightbox, Auflage 5, 22,5 x 30,5 x 4 cm, 3.800 Euro

Wiesen bei Greifswald (nach Caspar David Friedrich, 1820/22), 2016, Diasec/LED Lightbox, Auflage 5, 35 x 48,9 x 4 cm, 7.000 Euro

Flowers No 06, 2006, LED Lightbox, 122 x 200 x 4 cm, ed. 5 + 2AP, 18.000 Euro

Flowers No.7,8,9, 2006, Lightbox, Ed. 5, 238 x 975 x 20 cm, 60.000 Euro

Spring No.2, 2003, Lightbox, Ed. 5, 25 x 84 x 8 cm, 3000 Euro

Summer No.2, 2003, Lightbox, Ed. 5, 25 x 84 x 8cm, 3000 Euro

Autumn No.1, 2002, Lightbox, Ed. 5, 25 x 84 x 8 cm, 3000 Euro

Winter No.2, 2005, Lightbox, Ed. 5, 25 x 84 x 8 cm, 3000 Euro

Forest Düsseldorf No.02, 01.01.2021 - 31.12.2021, 2022, LED Lightbox, Ed. 5, 39 x 135 x 4 cm, 10000 Euro

Forest Düsseldorf No.03, 01.01.2021 - 31.12.2021, 2022, LED Lightbox, Ed. 5, 39 x 135 x 4 cm, 10000 Euro

Forest Düsseldorf No.11, 01.01.2021 - 31.12.2021, 2022, LED Lightbox, Ed. 5, 39 x 135 x 4 cm, 10000 Euro

Forest Düsseldorf No.09, 01.01.2021 - 31.12.2021, 2022, Inkjet Print, Ed. 5, 53 x 207 cm, 8000 Euro

Flowers, 2022, Inkjet Print, Ed. 100,  30 x 30 cm, 250 Euro

Ellen Akimoto, Small Plant (desert), 2021, Öl und Acryl auf Leinwand, 30 x 30 cm, 1900 Euro

Ellen Akimoto, Small Plant (outside), 2021, Öl und Acryl auf Leinwand, 30 x 30 cm, 1900 Euro

Undine Bandelin, Das Gastmahl, 2020, Siebdruck, Öl und Acryl auf Leinwand, 40 x 40 cm, 1600 Euro

Undine Bandelin, Der König, 2019, Siebdruck, Öl und Acryl auf Leinwand, 40 x 40 cm, 1600 Euro

Undine Bandelin, Serengeti, 2019, Siebdruck, Öl und Acryl auf Leinwand, 40 x 40 cm, 1600 Euro

Jörg Ernert, Haus (aus der Serie "Oper"), große Fassung, 2021, Acryl auf Leinwand, 150 x 110 cm, 5980 Euro

Moritz Götze, German Soup Edition , 2022, Emailmalerei auf Stahl, 60 x 34 cm, je 2000 Euro

Moritz Götze, Herkules lebt, Emaildame, 2020, Emailmalerei und Gold auf Stahl, 120 x 42 cm, 4000 Euro

Harald Reiner Gratz, Paar, 2011, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Harald Reiner Gratz, Vor dem Gewitter, 2018, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Nguyen Xuan Huy, Sanctuary 1, 2022, Öl auf Leinwand, 60 x 47 cm, 7500 Euro

Nguyen Xuan Huy, Sanctuary 2, 2022, Öl auf Leinwand, 60 x 47 cm, 7500 Euro

Nguyen Xuan Huy, Sanctuary 3, 2022, Öl auf Leinwand, 60 x 47 cm, 7500 Euro

Dana Meyer, Südpazifikexpedition, Stahlblech getrieben, geschweißt, Glas, 300 -2200 Euro

Wieland Payer, Pionier III, 2010, Pastell/Kohle, Unikat, 40 x 30 cm, 1200 Euro

Wieland Payer, Pionier V, 2010, Pastell/Kohle, Unikat, 40 x 30 cm, 1200 Euro

Wieland Payer, Sparkling Fall, 2022, Pastell, Aquarell und Kohle auf grundiertem MDF, 130 x 70 cm, 6000 Euro

Hans-Christian Schink, 1/03/2010, 4:58 pm – 5:58 pm, S 06°20.061′ E 039°33.193′, (1h Collector's Edition),, 2010, Silbergelatineabzug auf Barytpapier, Auflage 12, sign u. num., 50 x 60 cm, 1500 Euro

Annette Schröter, Der Mond ist aufgegangen, 2016, Papierschnitt gerahmt, 92 x 72 cm, 4200 Euro

Annette Schröter, Erscheinung 3, 2021, Papierschnitt gerahmt, 92 x 72 cm, 4200 Euro

Thitz, Advent Art Bag Edition, 2022, Mischtechnik gerahmt, 23 x 23 cm, je 300 Euro

Raïssa Venables, Zionskirche, small version, 2005, c-print / diasec, Auiflage 5, 99 x 79 cm, 5200 Euro

Dear ladies, dear gentlemen, dear friends,

we cordially invite you to the Luxembourg Art Week from November 10th to 13th
We look forward to seeing you at our booth A03.

A (unfortunately limited) contingent of tickets for the preview and the vernissage is available to collectors of our gallery. If you are interested, please get in touch within the next two days!

Donnerstag | Thursday, 10 November 2022, 19.00 (preview, by invitation)
Freitag | Friday, 11 November 11.00–18.00
Samstag | Saturday, 12 November 10.30–19.30
Sonntag | Sunday, 13 November 10.30–18.00

Glacis Square (Fouerplaatz) L-1628 Luxembourg
Stand A03

The fair will take place in an opulent tent construction that will be erected directly on the inner-city Fouerplaatz. An extensive supporting program is offered. A tram stop and sufficient parking facilities are in the immediate vicinity.

Dana Meyer, Scheuklappen, 2018, steel - forged and wielded, 62 x 33 x 75 cm

Hiroyuki Masuyama's presentation “Timeskip” is currently running in our Frankfurt gallery.
It is about the artist's engagement with the phenomenon of European Romanticism, with time travel and especially with the oeuvre of J.M.W.Turner.
In this context, Masuyama has once again dealt with Turner's painting "Sun setting over a Lake".

Masuyama follows in the footsteps of the romantic painter of light and atmosphere. He recomposes the works of the great English master from hundreds of individual photos and lets us experience their fascination in a contemporary form as a lightbox.

Hiroyuki Masuyama, Sun setting over a Lake No.2 (after J.M.W. Turner 1840), 2022, LED lightbox, 91 x 122.5 x 4 cm
12,000 euros including sales tax, delivery and assembly within Germany.
Can be delivered within six weeks.

If you have any questions, you can reach us on 0177 599 84 45.

On October 6th, 2022 at 8 p.m. there will be a concert with a fusion of dance, jazz, opera and painting in the Rothamel Gallery. All songs and performances were composed and choreographed specifically for the event. The artists present a new interpretation of current topics such as Corona, war and Ukraine and the indigenous massacre in Brazil.

Ellen Akimoto, Disintegration, 2021, oil and acrylic on canvas, 180 x 150 cm, 10600 Euro

Ellen Akimoto, Horses Falling on Horses, 2021, oil and acrylic on canvas, 240 x 300 cm, 17300 Euro

Ellen Akimoto, Secret Messages in the Paper Towel, 2021, oil and acrylic on canvas, 30 x 40 cm, 2250 Euro

Ellen Akimoto, Small Plant (desert), 2021, oil and acrylic on canvas, 30 x 30 cm, 1900 Euro

Ellen Akimoto, Small Plant (outside), 2021, oil and acrylic on canvas, 30 x 30 cm, 1900 Euro

Ellen Akimoto, Stolzes Mitglied, 2020, oil and acrylic on canvas, 40 x 30 cm, 2250 Euro

Ellen Akimoto, Unknowable Contents, 2020, oil on canvas, 40 x 30 cm, 2250 Euro

Undine Bandelin, Das Paradies, 2021, oil and Acrylic on canvas, 200 x 250 cm, 11300 Euro

Undine Bandelin, Der Garten, 2021, oil and Acrylic on canvas, 200 x 250 cm, 11300 Euro

Undine Bandelin, Die Hochzeit, 2021, oil and Acrylic on canvas, 270 x 220 cm, 12300 Euro

Jörg Ernert, Serenissima, nach Piranesi, 2021, Acrylic on canvas, 210 x 280 cm, 11300 Euro

Jörg Ernert, Weststrand 1, 2021, Aquarell, 21 x 32 cm, 1500 Euro

Jörg Ernert, Weststrand 2, 2021, Aquarell, 21 x 32 cm, 1500 Euro

Jörg Ernert, Weststrand 3, 2021, Aquarell, 21 x 32 cm, 1500 Euro

Jörg Ernert, Wolken, nach Bonington, 2022, Acrylic on canvas, 110 x 160 cm, 6300 Euro

Dana Meyer, Artur von Fugger-Regensbürg, 2022, Steel - forged and welded, 70 x 47 x 75 cm, 7700 Euro

Dana Meyer, Scheuklappen, 2018, Steel - forged and welded, 62 x 33 x 75 cm, 8880 Euro

Marten Schädlich, Angler und Köder, 2021, oil on MDF, 14 x 14 cm, 700 Euro

Marten Schädlich, Auf der anderen Seite, 2021, oil/Gouache on MDF, 16 x 22 cm, 900 Euro

Marten Schädlich, Duell, 2022,Tempera on canvas, 140 x 110 cm, 6000 Euro

Gehäuse, 2022, oil on canvas, 85 x 150 cm, 5.640 Euro

Marten Schädlich, Gehege, 2021, oil on MDF, 60 x 80 cm, 3400 Euro

Marten Schädlich, Rettung, 2022, oil on canvas, 72 x 60 cm, 3200 Euro

Marten Schädlich, Terminal, 2022, oil on canvas, 57 x 48 cm, 2600 Euro

Marten Schädlich, Arcade, 2022, Oil and egg tempera on canvas, 80 x 100 cm, 4320 Euro

A Village in the Alps (Sion near the Simplon ), (nach J.M.W. Turner, 1846), 2014, LED Lightbox, Auflage 5 + 1 AP, 38 x 55.2 x 4 cm, 6900 Euro

Ancient Rome, Agrippina Landing with the Ashes of Germanicus (after JMW Turner, 1839), 2008, LED Lightbox, Auflage 5, 91,5 x 122 x 4 cm, 14.000 Euro

Arth on the Lake of Zug (nach JMW Turner, 1842), 2009, LED Lightbox, Auflage 7 + 1 AP, 22,8 x 29 x 4 cm, 4000 Euro

Dinant on the Meuse from the North West (nach JMW Turner, 1839), 2015, LED Lightbox, Auflage 5 + 1 AP, 13,6 x 18,8 x 4 cm, 2.500 Euro

Ehrenbreitstein No.1 (nach JMW Turner, 1841), 2008, LED Lightbox, Auflage 7 + 1 AP, 24,9 x 34 x 4 cm, 4.400 Euro

Ehrenbreitstein No.2 (nach JMW Turner, 1841), 2008, LED Lightbox, Auflage 7 + 1 AP, 24,9 x 34 x 4 cm, 4.400 Euro

Falls of the Rhine at Schaffhausen, Front View (nach JMW Turner, 1841), 2008, LED Lightbox, Auflage 7 + 1 AP, 23,1 x 28,8 x 4 cm, 3.900 Euro

Fisherman on the Lagoon, Moonlight (nach JMW Turner, 1840), 2010, LED Lightbox, Auflage 7 + 1 AP, 19,2 x 28 x 4 cm, 3.500 Euro

Fluelen from Lake Lucerne (nach JMW Turner, 1845), 2014, LED Lightbox, Auflage 5 + 1 AP, 29,2 x 48 x 4 cm, 5.700 Euro

From Chambave Looking down the Val d’Aosta towards Ussel (nach JMW Turner, 1836), 2014, LED Lightbox, Auflage 5 + 1 AP, 18,8 x 27,7 x 4 cm, 3.800 Euro

From Lurleiberg and St Goarhausen (nach JMW Turner, 1817), 2014, LED Lightbox, Auflage 5 + 1 AP, 19,7 x 30,9 x 4 cm, 4.000 Euro 

From Rheinfels looking over St. Goar to Burg Katz (nach JMW Turner, 1817), 2014, LED Lightbox, Auflage 5 + 1 AP, 21 x 32,5 x 4 cm, 4.000 Euro

Huy from the West (nach JMW Turner, 1839), 2014, LED Lightbox, Auflage 5 + 1 AP, 14 x 19,4 x 4 cm, 2500 Euro

Küssnacht, Lake of Lucerne (nach JMW Turner, 1842/43), 2009, LED Lightbox, Auflage 7 + 1 AP, 22,8 x 29 x 4 cm, 3.800 Euro

Lake Como (nach JMW Turner, 1819), 2008, LED Lightbox, Auflage 7 + 1 AP, 22,4 x 29 x 4 cm, 3.800 Euro

Looking up the Giudecca Canal, with Santa Maria della Salute on the Right (nach JMW Turner, 1840), 2010, LED Lightbox, Auflage 7 + 1 AP, 24,5 x 30,5 x 4 cm, 4.000 Euro

Lucerne from the Lake (nach JMW Turner, 1842), 2014, LED Lightbox, Auflage 5 + 1 AP, 29 x 46,5 x 4 cm, 5.600 Euro

Luxembourg (nach JMW Turner, 1825 oder 1834), 2015, LED Lightbox, Auflage 5 + 1 AP, 14 x 19 x 4 cm, 2.500 Euro

Mont Blanc, from Brevent (nach J.M.W. Turner, 1836), 2008, Diasec/LED Lightbox, Auflage 7 + 1 a.p., 25,6 x 28 x 4 cm, 3.900 Euro

Mont Blanc and the Glacier de Bossons from above Chamonix (nach JMW Turner, 1836), 2014, LED Lightbox, Auflage 7 + 1 AP, 24,5 x 30,6 x 4 cm, 4000 Euro

Mont Pilatus, from Lake Lucerne (nach JMW Turner, 1841), 2014, LED Lightbox, Auflage 5 + 1 AP, 22,7 x 29,1 x 4 cm, 3.900 Euro

Monte Rosa (nach JMW Turner, 1836), 2008, LED Lightbox, Auflage 7 + 1 AP, 24,3 x 33,9 x 4 cm, 3.800 Euro

Morning on the Lake of Lucerne; Uri from Brunnen(nach JMW Turner, 1842), 2014, LED Lightbox, Auflage 5 + 1 AP, 24,1 x 29,6 x 4 cm, 4.100 Euro


On the Lucerne, looking towards Fluelen (nach J.M.W. Turner, 1841), 2014, Diasec/LED Lightbox, Auflage 5 + 1 AP, 29,2 x 48 x 4 cm, 4.500 Euro

On the Rhine looking over St. Goar to Katz (nach JMW Turner, 1844), 2014, LED Lightbox, Auflage 5 + 1 AP, 18,1 x 23,7 x 4 cm, 3.500 Euro

Palazzo Balbi on the Gran Canal (nach JMW Turner, 1840), 2010, LED Lightbox, Auflage 7, 23,1 x 30,7 x 4 cm, 4.000 Euro

Shade and Darkness (after JMW Turner, 1843), 2008, led lightbox, Auflage 7, 78,5 x 78 x 4 cm, 10.000 Euro

Sion, Rhone (nach JMW Turner, 1836), 2008, LED Lightbox, Auflage 7 + 1 AP, 24,5 x 27,7 x 4 cm, 3.900 Euro


Stonehenge, (nach J.M.W. Turner, 1836), 2009 - LED Light box, Auflage 7 + 1 AP, 27.9 x 40.4 x 4 cm, 5.400 Euro


The Blue Rigi sunrise (nach J.M.W. Turner, 1842), 2008, LED Lightbox, Auflage 7 + 1 AP, 29,7 x 45 x 4 cm, 5.600 Euro

The Burning of the Houses of Parliament No. 8 (nach JMW Turner, 1834), 2009, LED Lightbox, Auflage 7 + 1 AP, 23,2 x 32 x 4 cm, 4.200 Euro

The Burning of the Houses of Parliament No.1" (nach JMW Turner, 1834), LED Lightbox, Auflage 7 + 1 AP, 23,2 x 32 x 4 cm, 4.200 Euro


The Burning of the Houses of Parliament No.7" (nach J.M.W. Turner, 1834), 2009, LED Lightbox, Auflage 7 + 1 AP, 23,2 x 32 x 4 cm, 4.200 Euro

The Confluence at Namur Moonlight (nach J.M.W. Turner, 1839), 2014, LED Lightbox, Auflage 5 + 1 AP, 14.2 x 19.1 x 4 cm
, 2.500 Euro

The Devil ́s Bridge, near Andermatt, (nach J.M.W. Turner, 1802), 2008, Diasec/LED Lightbox, Auflage 7 + 1 AP, 47,1 x 31,8 x 4 cm, 5.900 Euro

The Devil ́s Bridge, St Gotthard (nach J.M.W. Turner, 1841), 2014, Diasec/LED Lightbox, Auflage 5 + 1 AP, 23,8 x 30,5 x 4 cm, 4.000 Euro


The Falls of the Rhine at Schaffhausen. Verso: A Large Sailing Vessel Surrounded by Other Smaller Boats, (nach J.M.W. Turner, 1841), 2014, LED Lightbox, Auflage 5 + 1 AP, 22.3 x 29.6 x 4 cm
, 3.900 Euro

The Red Rigi, Sunset (nach JMW Turner, 1842), 2009, LED Lightbox, Auflage 7 + 1 AP, 29,7 x 45 x 4 cm, 5.700 Euro

The St Gotthard pass at the Devil ́s Bridge (nach J.M.W. Turner, 1830), 2014, Diasec/LED Lightbox, Auflage 5 + 1 AP, 23,2 x 28,9 x 4 cm, 3.900 Euro

The Upper End of the Grand Canal, with San Simeone Piccolo; Dusk (nach JMW Turner, 1840), 2010, LED Lightbox, Auflage 7 + 1 AP, 21,9 x 32 x 4 cm, 4.000 Euro

Tivoli Colour Study (after JMW Turner, 1817), 2015, LED lightbox, Auflage 7 + 1 AP, 66,7 x 100,6 x 4 cm, 12000 Euro

Verona (A View of the Roman Theater) (nach JMW Turner, 1833), 2014, LED Lightbox, Auflage 20, 8,8 x 14,3 x 4 cm, 600 Euro

View from Richmond Hill (nach JMW Turner, 1815), 2009, LED Lightbox, Auflage 7 + 1 AP, 18,8 x 27 x 4 cm, 3.450 Euro

View of Cologne (nach JMW Turner, 1820), 2014, LED Lightbox, Auflage 5 + 1 AP, 46,5 x 31 x 4 cm, 5.700 Euro

View of the Arch of Titus and the Temple of Venus and Roma, from the Arch of Constantine and the Meta Sudans, Rome (nach J.M.W. Turner, 1819), 2014, LED Lightbox, Auflage 5 + 1 AP, 22.5 x 36.7 x 4 cm, 4.200 Euro

View of the Forum, Rome, with a Rainbow From Rome (nach J.M.W. Turner, 1819), 2014, LED Lightbox, Auflage 5 + 1 AP, 23 x 36.7 x 4 cm

Würzburg from the path to the Käppele (nach JMW Turner, 1830), 2018, LED Lightbox, Auflage 5 + 1 AP, 19,1 x 27,8 x 4 cm, 3.800 Euro

Würzburg from the Path to the Käppele (nach JMW Turner, 1840), 2018, LED Lightbox, Auflage 5 + 1 AP, 18,8 x 27,7 x 4 cm, 3.800 Euro

The Erfurt Natural History Museum, one of the most notable German museums, celebrates its centenary this year. The Kunsthalle Erfurt celebrates with and
presents the exhibition "Reflecting Nature #2 - Artistic positions with reference to natural history".

The show uses contemporary positions to illuminate the relationship between scientific enthusiasm for natural history and art. Human eagerness to collect and taxidermy as cultural practices are brought into focus, botanical encyclopedias also (but not only) serve as a source of material, as do rare naturalia brought back from expeditions. Questions about our relationship with nature and our dealings with nature are repeatedly addressed - "Reflecting Nature #2" is therefore also intended as a suggestion to see and read what nature means to us in a new way. The Kunsthalle presents works by Dana Meyer, Konstantin Bayer, Anna Lena Grau, Gökçen Dilek Acay, Jens Hausmann, Julian Rauter and Julia Schmid.

In keeping with the centenary of the museum, Dana Meyer is showing her "South Pacific Expedition", a group of metal sculptures created in recent years: depictions of large fantasy insects that were caught on a fictitious South Pacific expedition between 1906 and 1910, classified, kept in antiquated glasses and neatly labeled.

The locations given (Sulavesi Utara 1906, Henderson Island 1909, Sorong 1906, Palmyra Atoll 1910) refer to remote places of longing, which most people only travel to in their imaginations throughout their lives. The attached dates create a further context of inaccessibility: A hundred years ago there were still paradises that no longer exist today.

The exhibition opens at 6 p.m. on Thursday 18 August.
Kunsthalle Erfurt, Fischmarkt 7
Tuesday to Sunday: 10 a.m. to 6 p.m

Das Gespann, 2020, Steel - forged and welded, 140 x 220 x 465cm, 42.000 Euro ( RESERVED)

Arapides, 2018, steel - forged and welded, 295 x 79 x 130 cm, 24.000 Euro


certi s jazykem, 2018, steel - forged and welded, 160 x 110 x 80 cm, 22.000 Euro ( RESERVED)

Altruistische Raubwanze (altruistic reduviiae)
Pitt Island, 1909
2019
Stamped sheet steel, welded, oil, pigments, glass
30 x d 10 cm
1400 Euro

Aurakariensauger (psylloide auracaria)
Ouréa, 1907
2018
Stamped sheet steel, welded, oil, pigments, glass
15 x d 11 cm
1200 Euro

Blauschweiflibelle (epiophlebia hyacithum cauda)
Yap-Insel, 1906
2018
Stamped sheet steel, welded, oil, pigments, glass
30 x d  9,5 cm
1400 Euro

Breitweitbeiser (longe lateque modere)
Mangareva 1909
2019
Stamped sheet steel, welded, oil, pigments, glass
20 x d 16 cm
1400 Euro


Dreibeinassel (carabus auratus palma
Mago Island, 1912
2022
Stamped sheet steel, welded, oil, pigments, glass
20 x d 11 cm
1200 Euro

Feinschlupfangler (elabi subtilis vagaricus)
Markus Island, 1912
2022
Stamped sheet steel, welded, oil, pigments, glass
21 x d 11 cm
1200 Euro

Fleischlaufspinne (argiope carnosus salire)
Mago Island, 1912
2022
Stamped sheet steel, welded, oil, pigments, glass
8,5 x d 7 cm
300 Euro

Halbmondzikade (tryptetimporpha dimidiata)
Palmyra Atoll, 1910
2019
Stamped sheet steel, welded, oil, pigments, glass
17 x d 14,5 cm
1400 Euro

Hammerkopfameise (colobosis malleo cudere)
Mehetia, 1909
2022
Stamped sheet steel, welded, oil, pigments, glass
8,5 x d 7 cm
300 Euro


Kastanienwanze (dysdereus castanea)
Banaba, 1908
2019
Stamped sheet steel, welded, oil, pigments, glass
17 x d 9 cm
1200 Euro


Musikalischer Hornkäfer (polyphylla symphonicus)
Sorong, 1906
2022
Stamped sheet steel, welded, oil, pigments, glass
21 x d 11 cm
1200 Euro

2200 Euro

Schnabelgnitze (ceratopogonidae rostrum)
Puna Veitatei, 1908
2018
Stamped sheet steel, welded, oil, pigments, glass
15 x d 10 cm
1200 Euro


Warzige Streifenwanze (graphosoma lineatum verruca)
Anatahan, 1906
2018
Stamped sheet steel, welded, oil, pigments, glass
15 x d 11 cm
1200 Euro

Weiße Doppel-Trompetenmücke (tuba geminus nematocera albus)
Sulavesi Utara, 1906
2019
Stamped sheet steel, welded, oil, pigments, glass
44 x d 23 cm
2200 Euro

Weiße Krebsspinne (casteracautha cancriformis)
Henderson Island, 1909
2018
Stamped sheet steel, welded, oil, pigments, glass
12,5 x d 11 cm
1200 Euro

Weißer Dreihornspringer (cicadella tripls cornuseques)
Futuna, 1907
2022
Stamped sheet steel, welded, oil, pigments, glass
21 x d 12 cm
1200 Euro

VIP preview: Wed, July 6, 2 - 8 p.m
Vernissage: Thursday, July 7, 11 a.m. - 8 p.m
Visitor days: Fri-Sun, 8.-10. July, 11am - 8pm

We are looking forward to your visit!
Kind regards, Jork Rothamel

Hall 4 - dm arena / J 32 and H 32
Messeallee 1, 76287 Rheinstetten
Phone +49 177 599 84 45

Berlin – alles Utopie, 2022, acrylic and bags on canvas, 140 x 160 cm, 16500 Euro

Istanbul, 2016, acrylic and bags on canvas, 120 x 140 cm, 14300 Euro

Köln Tütendom, 2020, acrylic and bags on canvas, 50 x 40 cm, 4950 Euro

London Bag, 2022, acrylic and bags on canvas, 120 x 160 cm, 15400 Euro

London UBA Utopia Millenium, 2021, acrylic and bags on canvas, 120 x 160 cm, 15400 Euro

London Utopian Tower Bridge, 2021,acrylic and bags on canvas, 120 x 180 cm, 16500 Euro

London, 2021, acrylic and bags on canvas, 50 x 70 cm, 6600 Euro

New York Brooklyn Bridge Utopia, 2022, acrylic and bags on canvas, 160 x 280 cm, 24200 Euro

New York City Taxi, 2022, acrylic and bags on canvas, 120 x 80 cm, 11000 Euro

New York News, 2022, acrylic and bags on canvas, 140 x 120 cm, 14300 Euro

New York Utopia, 2021, acrylic and bags on canvas, 80 x 100 cm, 9900 Euro

New York Utopia, 2022, acrylic and bags on canvas, 180 x 140 cm, 17600 Euro

Paris Cafe Utopique, 2022, acrylic and bags on canvas, 50 x 70 cm, 6600 Euro

Peace мир Shoes, 2022, mixed media, 30 x 20 cm, 2500 Euro

Rio Utopian City, 2021, acrylic and bags on canvas, 200 x 140 cm, 18700 Euro

UC Underwater London, 2020, acrylic and bags on canvas, 160 x 140 cm, 16500 Euro

Utopian Civilization Montblanc, 2020, acrylic and bags on canvas, 160 x 140 cm, 16500 Euro

Utopian Civilization Mountain Grossglockner, 2018, acrylic and bags on canvas, 140 x 100 cm, 13200 Euro

Utopian Civilization Mountauin Matterhorn Lake, 2020, acrylic and bags on canvas, 100 x 80 cm, 9900 Euro

Venezia Ospedale, 2022, acrylic and bags on canvas, 160 x 120 cm, 15400 Euro

Venezia Visita Utopica, 2022, acrylic and bags on canvas, 140 x 200 cm, 18700 Euro

Venezia, 2022, acrylic and bags on canvas, 60 x 90 cm, sold

VIP preview: Wed, July 6, 2 - 8 p.m
Vernissage: Thursday, July 7, 11 a.m. - 8 p.m
Visitor days: Fri-Sun, 8.-10. July, 11am - 8pm

We are looking forward to your visit!
Kind regards, Jork Rothamel

Hall 4 - dm arena / J 32 and H 32
Messeallee 1, 76287 Rheinstetten
Phone +49 177 599 84 45

Der Durchgang, 2021, oil on canvas, 207 x 300 cm, 30.300 Euro

Exercises, 2022, oil on canvas, 207 x 300 cm, 30.300 Euro

Helium Gone, 2022, oil on canvas, 197 x 135 cm, 19.920 Euro

Kitchen Lost, 2021, oil on canvas, 250 x 140 cm, 23.400 Euro

Lost Horizon, 2021, oil on canvas, 137 x 100 cm, 14.220 Euro

Silence 11, 2021, oil on canvas, 90 x 70 cm, 9.600 Euro

Silence 12, 2021, oil on canvas, 90 x 70 cm, 9.600 Euro

Silence 13, 2022, oil on canvas, 70 x 90 cm, 9.600 Euro

VIP preview: Wed, July 6, 2 - 8 p.m
Vernissage: Thursday, July 7, 11 a.m. - 8 p.m
Visitor days: Fri-Sun, 8.-10. July, 11am - 8pm

We are looking forward to your visit!
Kind regards, Jork Rothamel

Hall 4 - dm arena / J 32 and H 32
Messeallee 1, 76287 Rheinstetten
Phone +49 177 599 84 45

Beckmann, 2021, Pastel, watercolor and charcoal on primed MDF, 40 x 32 cm, 2.200 Euro


Blue Wall, 2022, Pastel, watercolor and charcoal on primed MDF, 30 x 42 cm, 2.200 Euro


Fallobst, 2021, Pastel, watercolor and charcoal on primed MDF, 39 x 53 cm, 2.800 Euro


Light in April, 2022, Pastel, watercolor and charcoal on primed MDF, 40 x 60 cm, 3.000 Euro


Petasitis Hybridus, 2021, Pastel, watercolor and charcoal on primed MDF, 52 x 66 cm, 3.600 Euro


Sparkling Fall, Pastel, watercolor and charcoal on primed MDF, 130 x 70 cm, 6.000 Euro


Sunset Display, 2022, Pastel, watercolor and charcoal on primed MDF, 35 x 45 cm, 2.400 Euro


Tulips & Shards, Pastel, watercolor and charcoal on primed MDF, 40 x 32 cm, 2.200 Euro

VIP preview: Wed, July 6, 2 - 8 p.m
Vernissage: Thursday, July 7, 11 a.m. - 8 p.m
Visitor days: Fri-Sun, 8.-10. July, 11am - 8pm

We are looking forward to your visit!
Kind regards, Jork Rothamel

Hall 4 - dm arena / J 32 and H 32
Messeallee 1, 76287 Rheinstetten
Phone +49 177 599 84 45

Mein eigenes Paradies, Emaildame, 2021,Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Rot und Blau, Emaildame, 2020, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Der Anruf in der Nacht, Emaildame, 2021, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Herkules lebt, Emaildame, 2020, Enamel painting and gold on steel, 120 x 42 cm, 4000 Euro


Männerbad, Emaildame, 2020, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Nacht am Fluß, Emaildame, 2022, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Nachts am See, Emaildame, 2021, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro

Masse, Emaildame, 2020, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro


Wieso, Emaildame, 2020, Enamel painting and gold on steel, 122 x 48 cm, 4000 Euro

Im Schatten der Ereignisse, 2021, Enamel painting on steel, 75 x 154 cm, 5000 Euro



Tugend und Laster, 2021, Enamel painting on steel, 60 x 137 cm, 4500 Euro

WIELAND PAYER
Landschaften | Landscapes
(together with Doris Ziegler)
Kunstverein Jena
14. Mai bis 25. Juni 2022

ABBILDUNG
Wieland Payer, Brand, 2019, Pastell, 100 x 150 cm

ZWieland Payer and Doris Ziegler open up two different perspectives on the motif of the landscape and enter into an exciting dialogue in the exhibition. Wieland Payer, who lives in Dresden, creates visionary landscapes as alternative designs to urban spaces, the diversity of which is demonstrated by the Leipzig painter Doris Ziegler.

Galerie des Jenaer Kunstvereins im Stadtspeicher
Markt 16
07743 Jena 
03641 63 69 938
Wed, Fri, Sat 12-4 pm; Thu 12-7pm

WIELAND PAYER
Nocturne
Museum Schloß Wilhelmsburg
20. Mai bis 25. September 2022

We cordially invite you and your friends to the opening with the artist on Thursday, May 19, 2022 at 6 p.m.


Wieland Payer, Blue Fall,  2020, Pastell, 190 x 300 cm
 
Wieland Payer demonstrates graphic virtuosity and has a special feeling for fascinating themes. His landscapes and still lifes are largely bare of people, but covered with mysterious phenomena. Do they come from fiction, descriptions of voyages of discovery or simply artistic imagination? Payer weaves representational, abstract and metaphysical elements into something new. His ideal images show visions of another world. His objects give the impression that it is already present.


Wieland Payer, Felsentor, 2018, Pastell, 70 x 100 cm

Their unusual appearance corresponds to the fantastic character of the works: Wieland Payer works with pastel painting and presents this technique in new splendour. He succeeds in doing this through their unusual application to the large format, their brilliant mastery and careful further development.


Wieland Payer (*1981 in Erfurt) lives and works in Dresden. He studied at the Kunsthochschule Burg Giebichenstein Halle (diploma, 2009), the Accademia di Belle Arti Rome (Erasmus scholarship) and at the Royal College of Art in London (scholarship from the Studienstiftung and the DAAD, Master, 2011). Works by the young artist are in renowned public collections.

Museum Schloß Wilhelmsburg
Schloßberg 9
98574 Schmalkalden
03683 403186
open daily 10 a.m. - 6 p.m

A Long Hike, 2021, oil on canvas, 197 x 135 cm, sold

Close to Heaven, 2021,oil on canvas, 300 x 207 cm, 30.400 Euro


Der Durchgang, 2021, oil on canvas, 207 x 300 cm, 30.400 Euro


Kitchen Lost, 2021, oil on canvas, 250 x 140 cm, 23.400 Euro


Lost Horizon, 2021, oil on canvas, 137 x 100 cm, 14.200 Euro


Second Legs, 2021, oil on canvas, 250 x 197 cm, 26.800 Euro


Silence 9, 2020, oil on canvas, 90 x 70cm, 9.600 Euro


Silence 11, 2021, oil on canvas, 90 x 70 cm, sold


Silence 12, 2021, oil on canvas, 90 x 70 cm, 9.600 Euro


Talking about Black Holes, 2019, oil on canvas, 220 x 140 cm, 21.600 Euro

Exercises, 2022, oil on canvas, 207 x 300 cm, 30.400 Euro

Ausweichmanöver, 2022, oil on canvas, 220 x 157 cm, sold

Helium Gone, 2022, oil on canvas, 197 x 135 cm, 19.900 Euro

Next Step, 2022, oil on canvas, 137 x 100 cm, sold

Silence 13, 2022, oil on canvas, 70 x 90 cm, 9.600 Euro

Die 80er, 2021, oil on canvas, 180 x 140 cm, 12.800 Euro

Klare Verhältnisse, 2021, oil on canvas, 140 x 100 cm, 9.000 Euro

Kabelsalat, 2021, enamel on steel, 170 x 120 cm, 10.000 Euro

Selbst nach Albrecht Dürer, 2021, oil on canvas, 60 x 50 cm, 4.400 Euro

Schön, 2021, oil on canvas, 200 x 160 cm, 14.400 Euro

Männlicher Torso, 2021, oil on canvas, 140 x 100 cm, 9.000 Euro

German Soup, von Charlotte von Stein bis Wieland, 2021, enamel, 60 x 34,5 cm,  je 2.000 Euro

Er hat den Boden voll Skulpturen, 2020, enamel, 123 x 48 cm, 4.000 Euro

Masse, 2020, enamel, 123 x 48 cm, 4.000 Euro

Wieso, 2020, enamell, 123 x 48 cm, 4.000 Euro

Triptychon der Angst I-III, 2021, oil on canvas, 160 x 300 cm, 19.000 Euro

03/19 until 04/24/2022
TIME TRAVEL 1817 – 2022

Friederich August De Leuw (1817 – 1888) and Hiroyuki Masuyama (*1968)

Pictures from the 19th century by the painter Friedrich August de Leuw from Gräfrath are juxtaposed with works by Hiroyuki Masuyama, who edited his photographs digitally in the 21st century.
Both artists studied at the Düsseldorf Art Academy. The artist, born in Japan in 1968, was looking for the same landscape models as De Leuw, which he reproduces in a contemporary manner using digital technology.

The well-known rock "Rheingrafenstein" on the Nahe served as a motif for numerous painters of the Romantic era. Friedrich August De Leuw was in this striking place to paint in 1876. At the same time, William Turner was staying there to sketch in nature.

Hiroyuki Masuyama photographed the rock from the same perspective as 19th century painters. He combined hundreds of digital photographs into one image, which, with the help of light and lightboxes, achieves a spectacular effect. In addition to the art-historical analysis of the various epochs, Hiroyuki Masuyama addresses the aesthetics of landscape. How does the emotional relationship between humans and nature differ and how does it compare over the centuries? The comparison of the two positions opens up numerous exciting perspectives and focuses on profound topics: What connects the digitally shaped people with the romanticism of the 19th century? Why is the longing for landscape and nature a basic human need throughout the ages? How does art as a medium of expression convey this feeling in the present? The exhibition provides answers that can be experienced rationally and emotionally and broaden the horizon.

A spectacular exhibit by the Düsseldorf artist Hiroyuki Masuyama in the "Time Travel" exhibition is a large wooden sphere made up of many thousands of wooden triangles. When you sit in it and close the entrance hatch, light falls inside through 30,000 small and large holes. The light inlets are arranged like the stars in the universe.

Dear art friends,

We must all contribute to the support of those who are suffering in Ukraine, but also of the courageous and peace-loving people in Russia, if we do not want war to come to us. We came up with a lot together with our artists. Now it's your turn. Join us!

Yours, Jörk Rothamel

MORITZ GOTZE
where are your thoughts

Rothamel Gallery Erfurt
extended until March 20, 2022

“If history is a darkroom, then Götze is one of the light makers. He affords an untroubled view, free from ideology.” (Christoph Tannert)

Moritz Götze has already made a generous donation and also taken in a refugee family. 10% of the sales of all purchases you make up to the end of its exhibition, we donate to protective vests.

Moritz Götze, Clear Relationships, 2021, oil on canvas, 140 x 100 cm, 9.000 euros

NGUYEN XUAN HUY
Close to Heaven
painting
Rothamel Frankfurt Gallery
March 18th to May 1st

We cordially invite you and your friends to the opening with the artist on Friday, March 18 from 6 p.m.

For the opening we offer numerous publications by the artist. The proceeds from the sale will go in full to the emergency aid in Ukraine of the "Germany Helps" campaign. Please come and buy books, books, books!

For every work of art sold on the opening night, we will donate an additional 1000 euros. Buy pictures, pictures, pictures!!!

Nguyen Xuan Huy, Invasion,2017, oil on canvas, 180 x 150cm, 19.800 euros

THITZ
Freedom Bags
Rothamel Gallery Erfurt
March 26th to April 24th

We cordially invite you and your friends to Erfurt for the opening with the artist on Friday, March 25 at 7 p.m.!

To support the victims of the Russian war of aggression in Ukraine, the artist, who always wears one red and one yellow shoe, has created an object: "One Yellow, One Blue". It costs 2500 euros. The proceeds from the sale will go in full to the emergency aid in Ukraine of the "Germany Helps" campaign.

Thitz, One Yellow, One Blue, 2022, shoe object, sold

On February 25, Hans-Christian Schink opens an extensive retrospective in the Von der Heydt Museum.
At the same time, Schink is presenting his new series “Unter Wasser”.
A catalog appears.

Hans Christian Schink
Friend request #1

February 26 to July 10, 2022
Opening on February 25, 7:30 p.m
von-der-heydt-museum.de 

Germany's largest art fair will take place from July 7th to 10th, 2022. We are showing works by Ellen Akimoto, Moritz and Grita Götze, Hiroyuki Masuyama, Dana Meyer, Nguyen Xuan Huy, Wieland Payer, Thitz and look forward to your visit.

November im Kleingarten, 2021/ Papierschnitt ungerahmt, 250 x 180 cm, 15.000 Euro

Holzweg, Werkgruppe WELTBILDER, 2018, Papierschnitt gerahmt, 92 x 72 cm 4.400 Euro

Baum, exaltiert, Werkgruppe WELTBILDER, 2018, Papierschnitt gerahmt, 92 x 72 cm, 4.400 Euro

Sturz aus großer Höhe, Werkgruppe WELTBILDER, 2020, Papierschnitt gerahmt, 92 x 72 cm, 4.400 Euro

Februar vor dem Haus, 2021, Papierschnitt gerahmt unter opakem Acrylglas, 78 x 50 cm, 2.400 Euro

Sommer im Kleingarten, 2021, Papierschnitt gerahmt, 200 x 82 cm, 12.000 Euro

Winter im Kleingarten, 2021, Papierschnitt gerahmt, 200 x 82 cm, 12.000 Euro

GARTENTOR 2, 3, 5, 6, 8, 9, 11, 13, 14, 2020/21, alle gerahmt, jeweils 40 x 29 cm, je 800 Euro

GARTENTOR 15, 17, 19, 21, 23, 25, 26, 27, 29, 2020/21, alle gerahmt, jeweils 40 x 29 cm, je 800 Euro

GARTENTOR 30, 31, 32, 33, 34, 37, 39, 42, 2020/21, alle gerahmt, jeweils 40 x 29 cm, je 800 Euro

The work "Nighttime" by the artist, who lives in Leipzig, was bought by the Kuulturstiftung des Free State of Saxony. This is all the more gratifying for Ellen when she is starting a seven-month scholarship this month at the Fine Arts Work Center in Provincetown / Massachusetts. Ellen Akimoto's solo show in our Frankfurt Gallery runs until December 4, 2021. Ellen Akimoto in her exhibition.

Galerie Rothamel Frankfurt, until December 4th.

Nguyen Xuan Huy presents his epochal composition "Une journée Horizontal" in the Kunsthalle Darmstadt. It is a work presentation - only this one painting will be on display. What it is all about - in terms of content and technology. Nguyen Xuan Huy Une journée horizontal Work presentation 04.09.2021 - 30.01.2022 The composition is clearly based on Théodore Géricault's Raft of the Medusa (1819) in the Louvre in Paris. Nguyen's stage space is, however, a bit wider in proportion. Instead of one collapsed pyramid, you can see two of them. They arrange the compact tableau of 28 figures, young women and men, which to describe in detail here would lead too far. Just this much: each one seems to represent a world of its own. Each appears to have been forced into a pose, half remotely controlled, half narcissus-like, mostly self-absorbed. They all look European, but the latter may be due to the models with which the artist is used to working. At the same time, the pyramidal shape also plays with the views of the tombs of Giza, which are deeply anchored in cultural memory. A sphinx surrounded by ivy in front of the right edge of the picture literally triggers this association. But neither water nor sand, but a red and white something prevails. Embers? Does the sky just look like fire or does real fire rise in it? Vegetation, rocks, an artistic footbridge, a wooden house still under construction that could also be read as a boat or an improvised changing room, all of this leaves no indication of the scene of the event. Unlike Géricault, it's not about life or death. The seesaw on the swing is reminiscent of the pendulum on a clock. As a well-known symbol of vanitas, the fly by the Sphinx underscores the allegory of time, which one is certainly dealing with here. Compared to the figures and other animals, a lioness and two roseate spoonbills, it is oversized. A new species created through interference with nature? Or does the fly require the large format, as if the painter had seen it sitting on a reduced draft of his picture and enlarged it with this as a background? The confusing standards, the placelessness, the unclear reference to time contrasts with a feeling of harmlessness that this particular travel company conveys. Finally, different images flow together in a vision that straightens heaven and hell. León clutter

Allegro, 2021, Pastell, Kohle, Tusche und Aqarell auf grundiertem MDF, 160 x 120 cm, 8400 Euro


Blossom, 2021, Pastell und Aquarell auf grundiertem MDF, D 100 cm, 6000 Euro


Cave, 2021, Pastell, Kohle, Aquarell und Regen, 180 x 120 cm, 9000 Euro


Distel, 2021, Pastell, Aquarell und Kohle auf grundiertem MDF, 100 x 70 cm, 5100 Euro


Fleurope (upside down), 2021, Pastell, und Aquarell auf grundiertem MDF, 110 x 80 cm, 5700 Euro

Hecke, 2021, Pastell und Aquarell auf grundiertem MDF, 120 x 150 cm, 8700 Euro


Iris, 2021, Pastell und Aquarell auf grundiertem MDF, 80 x 60 cm, 4200 Euro


Knospe, Pastell, Kohle und Aquarell auf grundiertem MDF, 80 x 60 cm, 4200 Euro


Lemon Stage, 2021, Pastell auf grundiertem MDF, 80 x 115 cm, 5900 Euro

Lumen (Balz), 2021, Pastell, Aquarell und Kohle auf grundiertem MDF, 70 x 100 cm, 5100 Euro

Petasitis Hybridus 2021, Pastell und Aquarell auf grundiertem MDF, 52 x 66 cm, 3600 Euro


Priessnitzgrund, 2021, Pastell und Aquarell auf grundiertem MDF, 80 x 60 cm, 4200 Euro


Rear Window, 2021, Pastell auf grundiertem MDF, 55 x 42 cm, 2900 Euro


Tulip, 2021, Pastell und Aquarell auf grundiertem MDF, 80 x 60 cm, 4200 Euro

Waldstaub, 2021, Pastell und Aquarell auf grundiertem MDF, 60 x 73 cm, 3900 Euro

Winden, 2021, Pastell und Aquarell auf grundiertem MDF, 40 x 32 cm, 1800 Euro

Plate

Fundstücke, Teller, 2021, Engobemalerei, ∅ 39,5 cm, 4000 Euro

Kapuzinerkresse und Rotes Ordensband, Teller, 2021, Engobemalerei, ∅ 33,5 cm, 2700 Euro

Korallen, Teller, 2020, Engobemalerei, ∅ 29 cm, 2100 Euro

Quodlibet mit Hammer und Nägeln, Teller, Engobemalerei, 2021, ∅ 41 cm, 4000 Euro

Quodlibet mit Kamm, Teller, 2021, Engobemalerei, ∅ 39 cm, 3800 Euro

Schönbär,  2021, Teller, Engobemalerei, ∅ 36,5 cm, 3600 Euro

Winterlinge, 2021, Teller, Engobemalerei, ∅ 36 cm, 2800 Euro

Lidded vases

Getier am Wegesrand, Deckelvase, 2021, Engobemalerei, 51 cm hoch, 6000 Euro

Sommerwiese mit Insekten, Engobemalerei, 2019, 50 cm hoch, 6000 Euro

Steine, 2021, Deckelvase, Engobemalerei, 50 cm hoch, 6000 Euro

Steinige Gegend, 2021, Deckelvase, Engobemalerei, 50 cm hoch, 6000 Euro

Wiesenstück mit Eidechse, 2021, Deckelvase, Engobemalerei, 52 cm hoch, 6000 Euro

Sonnengruß, 2021, Öl und Acryl auf Leinwand, 140 x 120 cm, 6.200 Euro

Wearing Sleeves, 2021, Öl und Acryl auf Leinwand, 90 x 70 cm, 3.800 Euro

Behind the Arm, 2021, Öl auf Leinwand, 50 x 40 cm, 2.100 Euro

Secret Messages in the Paper Towel, 2021, Öl und Acryl auf Leinwand, 30 x 40 cm, 1.700 Euro

Small Plant (outside), 2021, Öl und Acryl auf Leinwand, 30 x 30 cm, 1.400 Euro

Small Plant (desert), 2021, Öl und Acryl auf Leinwand, 30 x 30 cm, 1.400 Euro

Horses Falling on Horses, 2021, Öl und Acryl auf zwei Leinwänden, 240 x 300 cm, 12.900 Euro

Disintegration, 2021, Öl und Acryl auf Leinwand, 180 x 150 cm, 7.900 Euro

The Open Window, 2021, Öl und Acryl auf Leinwand, 150 x 130 cm, 6700 Euro


Starr, 2021, Öl und Acryl auf Leinwand, 45 x 35 cm, 1950 Euro


Pause, 2021, Öl  auf Leinwand, 90 x 80 cm, 4100 Euro

Stolzes Mitglied, 2020, Öl und Acryl auf Leinwand, 40 x 30 cm, 1.700 Euro

Annette Schröter is a professor of painting at the HGB Leipzig - and one of the most influential personalities on the German art scene. your graduates act successfully on international stages and enrich the image of the "New Leipzig School" with surprising facets. As a remarkable, critical and tolerant teacher, Annette Schröter knows how to let her students speak their own language, specifically promote strengths and accept controversies. She is committed to paving the way for her pupils in the art scene. A tried and tested means are the master class exhibitions in German galleries, through which they made remarkable debuts possible.

Annette Schröter herself, a long-time successful painter, swapped her medium for the sophisticated technique of paper cutting more than a decade ago. What attracted her to this was the challenge of achieving the complicated effects of elaborate painting with reduced resources. The first thing that catches the eye is the format, which has grown to be monumental. Annette Schröter works with patterns and contours, spaces, textures and blurring. But it also shows the real strengths of the paper cut, the linear, the ornament.

One of her newest and most current works is the “Grosse Butzemann” from 2020, with the stately dimensions of 220 x 150 cm for a paper cut. With great enthusiasm for the provocative, it addresses the social customs of our time: the building up of enemy images, the fascination for the cryptic and the subversive (the shredder strips are already built in), the game with wickedness, masquerades and denunciation. Look for yourself.

The past year and a half have been difficult for many artists - Moritz Götze, however, won the best of time and fell into a veritable creative frenzy. Numerous paintings, enamels and drawings were created. The recently published catalog "Lebenszeichen" documents the lavish oeuvre. The new works can be viewed in our Erfurt gallery from November 13th. You can secure three particularly attractive works in advance. They are "enamel ladies" of the youngest generation. All are devoted to the elementary and emotional topic of shoes.

Moritz Götze, "Masse", 2020, email, 123 x 48 cm, 4000 euros

"Give a girl the right shoes and she can conquer the world", Marilyn Monroe is said to have said, And this saying has probably nowhere been interpreted better than by Moritz Götze. The "enamel ladies" are elaborate to capricious to manufacture, but with the right treatment of timeless durability and beauty. First, their silhouettes are cut from sheet steel, deburred and pretreated. After an immersion bath in the basic enamel color, they receive their first firing at around 800 degrees. The paint melts and covers the metal ground with a glass-like layer.

Moritz Götze, "He has the floor full of sculptures", 2020, enamel, 123 x 48 cm, 4000 euros

Now the artist can begin his actual work. The painting is applied in several layers, in between firing again and again at the appropriate temperature for the respective color. Corrections are almost impossible, the artist not only has to know exactly how he is painting, but also meticulously observe the technologically necessary sequence. The "enamel ladies" have a special charisma, they combine the suggestive power of painting with the direct effect of sculptures.

Moritz Götze, "Wieso", 2020, email, 123 x 48 cm, 4000 Euro

We are now accepting orders by email or by phone on 0361 562 33 96.
We will be happy to send you higher-resolution images.
The sales are made in the order of the binding orders.
I look forward to hearing from you!
Best regards,
also from Moritz Götze,
Jörk Rothamel

Dana Meyer, Gangesgavial, 2020, Stahl - geschmiedet und geschweißt, 142 x 75 x 175 cm, 11100 Euro

Dana Meyer, Certi s jazykem, 2018, Stahl - geschmiedet und geschweißt, 160 x 110 x 80 cm, 22000 Euro

Dana Meyer, Bruno Leopold von Zschorpau, 2021, Stahl - geschmiedet und geschweißt, 59 x 59 x 59 cm, 7700 Euro

Dana Meyer, Johann Theodore von Iltenheim, 2021, Stahl geschmiedet, geschweißt, 50 x 46 x 55 cm, 7700 Euro

Dana Meyer, Eckbert August von Brunnstedt, 2021, Stahl - geschmiedet und geschweißt, 54 x 60 x 56 cm, 7700 Euro

Undine Bandelin, Der Horizont, 2021, Öl und Acryl auf Leinwand, 100 x 150 cm, 5000 Euro

Undine Bandelin, Die Promenade, 2020, Öl und Acryl auf Leinwand, 200 x 250 cm, 9000 Euro

Undine Bandelin, Das Gefolge, 2018, Mischtechnik auf Leinwand, 230 x 360 cm, 12000 Euro


Undine Bandelin, Der Witwer,  2021,Siebdruck und Mischtechnik auf Leinwand, 30 x 50 cm, 1200 Euro

Undine Bandelin, Die Komiker, 2021,Siebdruck und Mischtechnik auf Leinwand, 30 x 50 cm, 1200 Euro

Undine Bandelin, Die Monarchen, 2021,Siebdruck und Mischtechnik auf Leinwand, 30 x 50 cm, 1200 Euro

Undine Bandelin, Die Trinker, 2021,Siebdruck und Mischtechnik auf Leinwand, 30 x 50 cm, 1200 Euro

Hans-Christian Schink's grandiose retrospective "So Far" in the Kunsthalle Erfurt has remained in the Sleeping Beauty Sheep for 209 days without an audience since it did not open on November 8th last year.

Now you can finally visit the presentation of the most important living Thuringian artist - but only for nine days. Take advantage of this fantastic but extremely limited opportunity.

The Kunsthalle has set special opening times so that every hour can be used until the end of the exhibition. There is no compulsory test.

Saturday, June 5th: 11 a.m. - 6 p.m.
Sunday 6 June: 11 a.m. - 6 p.m.
Monday, June 7th to Sunday, June 13th: 10 a.m. - 10 p.m.

MUSEUM OF THE WILHELMSBURG CASTLE

NGUYEN XUAN HUY
No guarantee
June 17th to October 3rd, 2021

We cordially invite you and your friends to the opening with the artist on Thursday, June 17th at 6 p.m. The following spoke: Dr. Kai Lehmann and Dr. Jörk Rothamel.

Wilhelmsburg Castle Museum
Schlossberg 9
98574 Schmalkalden
+49 3683 403186
open daily 10 a.m. - 6 p.m.

One of the most exciting positions in contemporary German painting is represented by a man born in Hanoi. His works are nothing less than the proposal for a new European art that overcomes the ideological aberrations of the 20th century and leaves the fetish of the avant-garde behind.

To an art that shows the way in a new enlightenment. For half a millennium - from the Renaissance to the Impressionists - European painting told stories, parables and legends. On the eve of the First World War, when Europe began to break up, the “avant-garde”, the artistic snapshot, took center stage, the shock, the emotional overwhelming. Narrative painting lost its meaning.

The longing for stories is back. The formal demands of the young audience are high - the flood of images and data from digitization sets standards. When “digital natives” encounter Nguyen's works, they are fascinated. “Painted everything? By hand?? How does that work ??? ”When young recipients turn to the content of his painting, they are surprised and captivated.

The stories are extraordinarily multi-faceted, go deep into art history and are brand new at the same time. Nguyen looks at the present from an Enlightenment perspective. Logical analyzes are more important to him than ideological standpoints. He often makes his statements in the form of mythological, philosophical or literary parables. This painting is a cultivated and acuensionslos.

Nguyen Xuan Huy was born in Hanoi in 1976. He studied at the Hanoi School of Architecture, at the Ecole des Beaux Arts in Bordeaux, and in 2003 obtained his painting diploma from the HfKD Burg Giebichenstein in Halle. He lives and works in Berlin.

Nguyen Xuan Huy, No Guarantee, 2020, oil on canvas, 220 x 150 cm

The catalog for our exhibition “> 1000 Words” was published by Kerber Verlag this week. Texts by Annekatrin Kohout, Antonia Peter, Jörk Rothamel, Christian Weihrauch, Alexander Wendt Hardcover, 24 x 30 cm, 72 pages, 33 colored illustrations, design by Svenja Philipsen The beautiful ribbon can be ordered from us now and costs 35 euros

buy it here

The photographer Hans-Christian Schink is one of the most internationally acclaimed photographers of his generation. An excerpt from his work will be shown in the Kunsthalle Erfurt! https://www.mdr.de/video/mdr-imersten-videos/c/video-485774.html

Metropolises all over the world, enlivened by many people - all without masks! The works of the artist Thitz have always represented a mixture of ideal and utopia, a brightly colored and cheerful world in a (slightly) improved today or a lively tomorrow. In view of the current situation, Thitz ‘works have become images of longing that inspire courage.

But - how do the paintings come to you at the moment? You can of course take a virtual look at the new works on our website. But that does not replace the presence: Art Karlsruhe does not take place this year and unfortunately we are not allowed to receive you in the galleries. That's why we came up with something.

In his early days as an artist, Thitz drove his work to interested audiences and organized mobile art exhibitions in Stuttgart, Berlin, Paris and New York under the motto “If the prophet does not come to the mountain, the mountain will come to the prophet”. We take up this wonderful idea and organize a roadshow!

An open-air exhibition will take place in Erfurt on Saturday, May 15th. The works will be installed from 11 a.m. to 6 p.m. in the courtyard of the gallery and can be viewed and purchased there: Kleine Arche 1A, 99084 Erfurt.

Our Frankfurt gallery has large shop windows facing the street. We will be exhibiting the current works in the gallery on Sunday, May 16 from 2 to 6 p.m. and we will greet you outside. You can take a look or take a look from the street. If you like a work, we will take it outside and present it to you: Fahrgasse 17, 60311 Frankfurt am Main.

Thitz collectors in Baden-Württemberg can look forward to a very special service: If you purchase a painting from the current collection and would like to take a closer look for this purpose, we will come to you! Please make an appointment with us at galerie@rothamel.de or by phone on 0177 599 84 45.

The list of current work can be found below.
We wish you all the best and greet you warmly

Thitz and Jörk Rothamel

Amazonia Utopica, 2020, Acryl und Tüten auf Leinwand, 140 x 200 cm, 17.000 Euro

London Urban Bag Art Fleet Street, 2019, Acryl und Tüten auf Leinwand, 160 x 120 cm, 14.000 Euro

Mumbai Utopian City, 2021, Acryl und Tüten auf Leinwand, 140 x 180 cm, 16.000 Euro

New York New, 2021, Acryl und Tüten auf Leinwand, 120 x 160 cm, 14.000 Euro

New York Utopia at Brooklyn, 2020, Acryl und Tüten auf Leinwand, 140 x 180 cm, 16.000 Euro

Paris Entre Nous, 2021, Acryl und Tüten auf Leinwand, 160 x 140 cm, 15.000 Euro

Paris Tour Miracle, 2017, Acryl und Tüten auf Leinwand, 100 x 50 cm, 7.500 Euro

Rio Utopian City, 2021, Acryl und Tüten auf Leinwand, 200 x 140 cm, 17.000 Euro

Shanghai Utopia, 2020, Acryl und Tüten auf Leinwand, 80 x 100 cm, 9.000 Euro

UC Underwater London, 2020, Acryl und Tüten auf Leinwand, 160 x 140 cm, 15.000 Euro

Utopian C Montblanc, 2020, Acryl und Tüten auf Leinwand, 160 x 140 cm, 15.000 Euro

Erasmus Schröter is dead. His departure is shocking and stunned. He has rubbed himself creatively on this world and has been humanly desperate over the last few years because of its development. His oeuvre is a great, multifaceted and exciting story without an end.

Erasmus Schröter was a master of juxtaposition and the absurd. The grandiose lighting of his bunkers as well as the Goth portraits of his “Contest” series compose the sublime / archaic and the fragile / absurd into weird two-chords. Again and again he went on excursions into the apparently familiar, the over-familiar that ended in unknown strangers. Let's wish him a good last trip and a safe arrival.

On the occasion of my last exhibition in Erfurt, I dealt intensively with the forest floor still lifes of the old Dutch, especially Otto Marseus van Schrieck. In my further research in the National Gallery, London and the Galerie Alte Meister, Dresden, I was also fascinated by the lush, almost forest-like, densely staged flower still lifes, especially by Rachel Ruysch and Jan van Huysum. I was interested in the moving compositions, the strong light - dark contrast and the eerie yet seductive mood of these perfectly painted flowers, leaves, grasses and insects emerging from the darkness.

The idea arose to combine these models with a new color scheme of the pastel and to stage it spherically in a virtual light. The second thought was to set the lush splendor of the models in motion with impulsive compositions. The flowers take on rocket-like shapes and futuristic dynamics are set in motion. The special luminosity of the pastel and its fascinating materiality come in harmony with the texture and color of the motifs. The mixed technique of pastel and watercolor combines a drawing approach with a painterly result.

Wieland Payer

Blossom, 2021, Pastell und Aquarell auf grundiertem MDF, D 100 cm, 6000 Euro

Hecke, 2021, Pastell und Aquarell auf grundiertem MDF, 120 x 150 cm, 8100 Euro

 

Iris, 2021, Pastell und Aquarell auf grundiertem MDF, 80 x 60 cm, 4200 Euro


Petasitis Hybridus, 2021, Pastell und Aquarell auf grundiertem MDF, 52 x 66 cm, 2900 Euro


Priessnitzgrund, 2021, Pastell und Aquarell auf grundiertem MDF, 80 x 60 cm, 4200 Euro


Rear Window, 2021, Pastell auf grundiertem MDF, 55 x 42 cm, 2700 Euro


Tulip, 2021, Pastell und Aquarell auf grundiertem MDF, 80 x 60 cm, 4200 Euro


Waldstaub, 2021, Pastell und Aquarell auf grundiertem MDF, 60 x 73 cm, 3900 Euro


Winden, 2021, Pastell und Aquarell auf grundiertem MDF, 40 x 32 cm, 1800 Euro

Bible words you can touch
A film by Uwe Dieckhoff

The St. Aegidien Castle Church is one of the striking buildings in the city of Bernburg (Saale). The church dates from the 12th century. In 1751-52 the nave of the old Romanesque church was rebuilt in the baroque style, later changed several times and finally stripped of almost all jewelry. The church has been renovated since 2013.

Moritz Götze was entrusted with the artistic redesign. His pictorial program is based on Genesis and the New Testament. It covers the vaulted ceiling, the base zones of the walls and the altar. Götze decided on a permanent enamel painting. With this extremely complex technique, layers of mineral paints are used to paint metal plates and each layer is burned at 800 degrees. The colors melt into a glaze on the metal, cover it and preserve it for eternity. Then the emails are fixed precisely on the walls.

The barrel vault was completed in 2013 - clouds and stars on a blue background. The furnishing of the south and north walls of the eastern nave began in 2014, followed by the artistic redesign of the altar wall in 2015. The new altar was also inaugurated with a festive service on Easter Sunday 2016. The work continues continuously.

Here to the film >>

Dear art friends,

special times require special measures. That is why we have been breaking a taboo of the art market and are publishing the price lists of our exhibitions here. If you would like to purchase one of the works on display or if you have any questions, click on “I am interested in this work of art” and enter your email address. Of course, you can also simply call or write to us.

Enjoy!

Mondaufgang am Meer (nach Caspar David Friedrich,1822), 2018, LED Lightbox, Auflage 5, 55 x 71 x 4 cm, 10.000 Euro


Nebel (nach Caspar David Friedrich, 1807), 2018, LED Lightbox, Auflage 5, 34,2 x 50,2 x 4 cm, 7.000 Euro


Der Mönch am Meer (nach Caspar David Friedrich, 1808-10), 2007, LED Lightbox, Auflage 5, 110 x 171,5 x 4 cm, 20.000 Euro


Abtei im Eichwald (nach Caspar David Friedrich, 1808-10), 2017, LED Lightbox, Auflage 5, 110,4 x 171 x 4 cm, 20.000 Euro


Abend (nach Caspar David Friedrich, 1824), 2018, LED Lightbox, Auflage 5, 20 x 27,5 x 4 cm, 3.800 Euro


Gebirgslandschaft mit Regenbogen (nach Caspar David Friedrich, 1810), 2018, LED Lightbox, Auflage 5, 70 x 102 x 4 cm, 12.000 Euro


Ruine im Riesengebirge (nach Caspar David Friedrich, 1834), 2007, LED Lightbox, Auflage 5, 73 x 103 x 4 cm, 12.000 Euro

Greifswald im Mondschein (nach Caspar David Friedrich, 1817), 2016, Diasec/LED Lightbox, Auflage 5, 22,5 x 30,5 x 4 cm, 3.800 Euro

Neubrandenburg im Morgennebel (nach Caspar David Friedrich, 1816/17), 2016, Diasec/LED Lightbox, Auflage 5, 72 x 91 x 4 cm, 12.000 Euro

Zwei Männer in Betrachtung des Mondes (nach Caspar David Friedrich, 1819), 2019, LED Lightbox, ed. 5 + 2 ap, 33 x 44,5 x 4 cm, 6400 Euro

Dear art friends,

special times require special measures. That is why we have been breaking a taboo of the art market and are publishing the price lists of our exhibitions here. If you would like to purchase one of the works on display or if you have any questions, click on “I am interested in this work of art” and enter your email address. Of course, you can also simply call or write to us.

Enjoy!

Nguyen Xuan Huy, Looking for Vincent I, 2020, Öl auf Leinwand, 197 x 135 cm, 16600 Euro


Nguyen Xuan Huy, Looking for Vincent II, 2020, Öl auf Leinwand, 197 x 135 cm, 16600 Euro


Nguyen Xuan Huy, Looking for Vincent III, 2020, Öl auf Leinwand, 197 x 135 cm, 16600 Euro


Nguyen Xuan Huy, No Guarantee, 2020, Öl auf Leinwand, 220 x 150 cm, 18500 Euro


Marten Schädlich, Burger, 2020, Öl und Eitempera auf MDF, 31 x 46 cm, 1400 Euro


Marten Schädlich, Kokon, 2020, Öl und Eitempera auf MDF, 46 x 31 cm, 1400 Euro


Marten Schädlich, Next Generation, 2020, Öl und Eitempera auf Leinwand, 56 x 80 cm, 2500 Euro

Marten Schädlich, Nymphen, 2021, Öl und Eitempera auf Holz, 80 x 60 cm, 2600 Euro

Marten Schädlich, Nymphen, 2021, Öl und Eitempera auf Holz, 80 x 60 cm, 2600 Euro

Ellen Akimoto, Being Natural, 2019, Öl und Acryl auf Leinwand, 130 x 110 cm, 5800 Euro


Ellen Akimoto, Head Explodes Due to Personal Reasons, 2018, Öl auf Leinwand, 160 x 140 cm, 7200 Euro


Ellen Akimoto, Little Pinnacle, 2020, Öl und Acryl auf Leinwand, 40 x 30 cm, 1700 Euro


Ellen Akimoto, Talking Incomprehensibly About the Leaf, 2019, Öl und Acryl auf Leinwand, 100 x 80 cm, 4300 Euro


Ellen Akimoto, Unknowable Contents, 2020, Öl und Acryl auf Leinwand, 40 x 30 cm, 1700 Euro


Undine Bandelin, Der Triumph, 2020, Öl und Acryl auf Leinwand, 140 x 180 cm, 5800 Euro


Undine Bandelin, Die Edelmänner, 2020, Öl und Acryl auf Leinwand, 170 x 120 cm, 5300 Euro


Ivana de Vivanco, Nuage mis en abyme, 2020, Öl auf Leinwand, 28 x 32 cm, 1500 Euro


Ivana de Vivanco, Self Portrait as an Ostrich Before Hiding It's Head, 2017, Öl auf Leinwand, 130 x 100 cm, 5500 Euro


Ivana de Vivanco, Study for a Happy Apocalypse, 2018, Öl auf zwei Leinwänden, 260 x 190 cm, 10.800 Euro

Dana Meyer I Sculptures
Dana Meyer's (* 1982) sculptures have a timeless sovereignty. Her way of working is how bold your virtuoso is, for whom she forges her works freehand from steel without preparatory work or models. Her sculptural works are exciting, powerful and dynamic. Meyer shows against animals and people, individually, in groups, sometimes fragmented, but always haunting in the statement, realistic and expressive. Meyer recognizes interpersonal and animal figures as a partly metaphorical, partly portrait-like "physical affinity", which abolishes the clearly drawn boundaries between the two.

38 Euro
ISBN 978-3-7356-0708-9
24 × 30 cm
96 pages74 colored and 14 b / w illustrations
Hardcover
Languages: German, English
Editors Dana Meyer, Jörk Rothamel, Galerie Rothamel
https: //www.kerberverlag.com/de/1840/dana-meyer  
Design bySina Müller, Halle (Saale)

Nguyen Xuan Huy Talking about Black Holes Art Collection Jena
December 12, 2020 to March 7, 2021
A catalog appears.

Graceful, naked female bodies, dancing or floating in erotic poses through unreal worlds. With dreamy, blissfully smiling or ecstatic faces, agile young people loll around on cushions, sometimes alone, sometimes as a group in atmospherically illuminated landscape scenes. The oil paintings by Nguyen Xuan Huy, painted in the manner of the old masters, are immediately overwhelming in their beauty. And they are disturbing - because the deceptive appearance quickly reveals itself and changes the mood: twisted or crippled limbs are noticed and threatening details such as machine guns, chicken wings or socialist symbols lurk everywhere. His identity is directly linked to the Vietnam War as the fundamental trauma of his origins. The consequences of the defoliant Agent Orange used by the US Army, which to this day causes numerous deformities, are just as central to his works as the socialist ideology with which he grew up in the communist country. Since 1994, Nguyen Xuan Huy has had his permanent residence in Germany and especially the perspective from the outside enabled him to artistically deal with the propaganda which, as he says, made him believe in a naive worldview of good and bad for a long time. In addition, there is an interested look in the other direction - at the tradition of Europe. Western art history inspired the painter at an early age, as can be seen in many quotes and allusions as well as his realistic, sensual way of depicting the human body. The mixing of these very different backgrounds led Nguyen Xuan Huy to see the many images in his head, despite all opposites to visually intertwine in large-scale fictions. Various set pieces from reality, ambiguous and puzzling moments of action and eerie, often dodgy atmospheres create a surreal world in which the logic of everyday life is undermined. While the usual boundaries are broken, dream and nightmare merge symbiotically. With Nguyen Xuan Huy, the Jena Art Collection presents fascinatingly sensual painting, which provokes emotional and intellectual reactions and demonstrates how the attractive and the repulsive can stimulate each other.

Utopian Civilizations Montblanc, 2020, Acryl und Tüten auf Leinwand, 160 x 140 cm, 15.000 Euro

Shanghai Utopian City, 2020, Acryl und Tüten auf Leinwand, 160 x 140 cm, 15.000 Euro

Paris Tour Miracle, 2017, Acryl und Tüten auf Leinwand, 100 x 50 cm, 7.500 Euro

Paris Liberté, 2020, Acryl und Tüten auf Leinwand, 140 x 160 cm, 15.000 Euro

New York Utopia at Brooklyn, 2020, Acryl und Tüten auf Leinwand, 140 x 180 cm, 16.000 Euro

London, 2020, Acryl und Tüten auf Leinwand, 60 x 90 cm, 7.500 Euro

Amazonia Utopica, 2020, Acryl und Tüten auf Leinwand, 140 x 200 cm, 17.000 Euro

UC Under Water London, 2020, Acryl und Tüten auf Leinwand, 160 x 140 cm, 15.000 Euro

Tokyo Night, 2020, Acryl und Tüten auf Leinwand, 50 x 70cm, 6.000 Euro

Cosmic Bag Art, 2020, Acryl auf Leinwand, 40 x 40 cm, 4.000 Euro

New York Utopia at Manhattan Bridge, 2020, Acryl und Tüten auf Leinwand, 140 x 200 cm, 17.000 Euro

Until January 10, 2021, Hans-Christian Schink will present his retrospective “So far. Photographs since 1990 ”. Seldom has there been an opportunity to see the oeuvre of the most important contemporary Thuringian artist in such a wide range. The show develops a compelling presence. This is possibly the strongest exhibition that has ever been seen in the Kunsthalle.

The German museums are currently closed. Nevertheless, it is possible to visit the exhibition as part of free educational offers. All hygiene measures are observed. For information and dates, please contact Ms. Grit Becher, Kunsthalle Erfurt, Tel. 0361 655 16 25.

In addition to Hans-Christian Schink's exhibition “So Far” in the Kunsthalle Erfurt, we are presenting selected works from the “Vietnam” and “Antarctica” series in our gallery. Visitors are asked to register by phone or email if possible. 0361 562 33 96 or galerie@rothamel.de.

Nguyen Xuan Huy's current work is entitled "Excavation", "Ausgrabung". The eye is the symbol of perception.
Once buried, we can no longer differentiate between good and bad. Now we try to expose it again ... a Sisyphean work.Ngyuen Xuan Huy came to Germany from Vietnam at the age of 17, studied at the Halle Castle and completed a master's degree at the same art college. Scholarships have taken him to France and the United States. Today he lives in Berlin, inspired by classic European painting from the Renaissance to the Fauves, Nguyen develops image programs with high thematic density and social explosiveness. In the first years after completing his studies, Nguyen was still devoted to Vietnamese topics, but has been setting for about a decade he is critical of the state of Europe. His works are often metaphorical and take up iconic compositions: Géricault's "Le Radeau de la Méduse", Matisse's "La Danse", Goya's "Caprichos" and "Desastres", Michelangelo's ceiling paintings in the Sistine Chapel. Nguyen's paintings are constructive, vital, perfectly staged and virtuously set provocation. They differ in form and content from almost everything we know from current art.
They challenge their viewers emotionally and intellectually.
Next exhibition: Nguyen Xuan Huy, The Mirror, Galerie Rothamel Frankfurt, September 4 to October 17, 2020

From June 20, 2020 Opening: June 20, 2020 Curator: Daniel Blochwitz This year's Provincia special exhibition combines four positions with photographs by Ingar Krauss, Ute Mahler & Werner Mahler, Hans-Christian Schink and Ulrich Wüst, which deal with life in different ways away from the metropolises dedicate. The Photographic Collection - Kummerow Castle thus also introduces the new format of an annual temporary exhibition.
The Latin term Provincia was used in the administrative terminology of Rome: here the supply of the ancient metropolis was ensured.
And while the late Latin meaning of the word is still used today in large parts of Europe as a "region" or "district" in neutral language, the corresponding German term "province" has a negative connotation here. Mecklenburg-Vorpommern is such for many people an epitome of province - a near-natural and poorly populated federal state with comparatively few and rather small cities.
The youth in particular always seem to be on the go here. At the same time, the area is also a place of longing for stressed city dwellers with promises of freedom for dreams and experiments, as well as space for relaxation and seclusion. The exhibition in Kummerow Castle does not represent the province as a lost or even detached region.
Instead, the unexcited and often poetic images show one neglected, but quiet area full of potential.
30. May - June 28, 2020
Saturday and Sunday
11 a.m. - 5 p.m.
1. July - 27 September 2020
Wednesday to Sunday
11 a.m. - 5 p.m.
2. October - November 1, 2020
Friday to Sunday 11 a.m. - 5 p.m.
Holidays during the season
11 a.m. - 5 p.m.

June 3 to July 12, 2020 | Frommannscher Garten | Fürstengraben 18, 07743 Jena | Mon - Fri: 8 a.m. - 8 p.m. The ninth Frommann's Sculpture Garden shows works by the sculptor Dana Meyer: sculptures of haunting physicality are presented on Frommann's estate. The artist creates her works in the medium of steel. She forms material finds in the forge and joins them together by welding; piece by piece, animal or human figures develop from a steel patchwork. When assembling, the artist is intuitively guided by the material. The gaps between the segments allow insight into and through the objects. The resulting permeability and the impression of fragility contrast with the solid material. opening hours June 3 - July 12 Frommannscher Garten: Fürstengraben 18, 07743 Jena Mon - Fri: 8 a.m. - 8 p.m. (free entry) The FrommannscheSkulpturenGarten is a cooperation project that has been taking place every year in early summer since 2012 between the Chair for Art History at the Friedrich Schiller University in Jena, the Jena Art Association and the Kunsthof Jena e.V. The exhibition is supported with the kind support of: JenaKultur, SV Sparkassen Versicherung, Sparkasse Jena-Saale-Holzland, Stadtwerke Jena-Pößneck, Thüringer Kulturstiftung.

Creamy Feelings Curdle Ellen Akimoto's (* 1988) painting is figurative, contemporary and captivates with its ingenuity. As Wolfgang Ullrich writes, she “not just quotes stylistic devices from the repertoire of recent painting history”, rather she puts them “into surprising, funny relationships with each other and transforms them into something new in their connection.” So change "monochrome surfaces in the style of suprematism" with a new, factual detailed realism or a "painted landscape painting suddenly turns into an abstract painting" and "merges with the face of a woman". Ellen Akimoto June 2020 ISBN 978-3-7356-0714- 0 21 × 27 cm 64 pages 34 color imagesHardcover Languages: German, English Editor Gallery Rothamel Texts by Wolfgang Ullrich Design by Jan Motyka The catalog costs 28 euros and can be ordered from us now.

Herakles im Augiasstall, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und Antaios, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und der erymanthische Eber, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und der Gürtel der Hippolyte, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und der nemäische Löwe, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und der Stier des Poseidon, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und die Äpfel der Hesperiden, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und die lernäische Hydra, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und die stymphalischen Vögel, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Herakles und Kerberos, 2020, Öl auf Leinwand, 40 x 50 cm, 2700 Euro

Annette Schröter cuts her pictures, works with the cutter, paper, sprays, colored acrylic glass and wallpaper scraps. Since 2015, Annette Schröter has made several trips to South and North America, including Buenos Aires, Montevideo, New York, Vancouver and Montreal. Her impressions, especially of everyday culture, architecture and vegetation, are reflected in an extensive group of paper cuts. The "silhouette", a technique that is particularly known from the 18th and 19th centuries and was often used by laypeople, deliberately serves as a contemporary artistic expression. Schröter not only explores the diverse and previously underestimated possibilities of this technology. In her work, she also questions content-related and artistic clichés that we associate with the term ÜBERSEE. This comes from a time when people - obeying existential hardship - left their homeland, but on the other hand it always stood for the unreachable distance and the exotic unknown as the goal of all desires - for 28 euros with us or at MMKoehn Verlag

ART KARLSRUHE 2020

13 - 16 February

Ellen Akimoto
Dana Meyer
Nguyen Xuan Huy
Wieland Payer
Marten Schädlich
Thitz
Sculptureplace: Moritz Götze
preview on Wednesday, 12 February, 2 - 9 pm (by invitation only)
13 - 16 February opening hours 11 am - 7 pm hall 3, stand J 32 + sculpture square H 32

We are looking forward to seeing you!

Preview tickets available for our collectors (exclusively). Each ticket admits two. Please send us an e-mail (not later than next Saturday) and do not forget your recent postal address. First come, first served. Art Karlsruhe shines with its sculpture spaces and has probably achieved more for this genre than any other art fair in the world. You will experience the most entertaining sculpture place with us this year: We are showing art pinball machines by Moritz Götze. It is about Martin Luther and his revenant Mick Jagger, Lady Hamilton and the sinking of the German Navy. Bring change for pinball and cards for the rest.

Sat / 25.01.20 / 19h exhibition opening "SUPER!" Admission from 18.30 clock. Please note that only a limited number of seats are available. Admission is free. Kunsthalle Darmstadt is showing "SUPER!" As of January 26, 2020. A group exhibition by five young painters who oppose the trend towards the immersion-conscious physical-sensual presence of painting and the chance of contemplation.

Wieland Payer's new catalog is finally here "Ultima Thule" is a documentation of the Iceland series plus a wonderful text by Freddy Langer, about his Icelandic experiences. Thanks to the City of Dresden, Jörk Rothamel, Freddy Langer and all other contributors and guides!

Annette Schröter et al.
in Castle Klippstein / 01454 Radeberg / Schlossstr.6
November 30, 2019 - March 1, 2020

At this point, we regularly present works of art that may have escaped your esteemed attention - but certainly deserve it. We combine that with an unbeatable, but ephemeral discount. In other words - we want to make you an offer you cannot refuse. A short one. The works can be purchased directly through our shop.

This time, right from our current exhibition BIOTOPE: Wieland Payer, Brand, 2019, pastel, watercolor and charcoal on primed MDF, 100 x 150 cm

The link to the shop you can find here.

About the artist: Wieland Payer was born in 1981 in Erfurt. He studied graphic design at the College of Art and Design Burg Giebichenstein in Halle and in 2011 he graduated from the Royal College of Art in London. The atmospheric density and artistic perfection of Payer's pastels refer to the art of German Romanticism, to Carl Blechen and Caspar David Friedrich. He combines this with his interest in fictional epics of Lem, Strugazki and Tarkowski.

Photo Basel 2019

At Photo Basel we present the small but on point curated show "Clockwork". Its about the fascinating use of space and time in the works of Hans-Christian Schink (* 1961 in Erfurt) and Hiroyuki Masuyama (* 1968 in Tsukuba / Japan).

Hans Christian Schink demonstrates the passing of time and at the same time the rotation of the earth, making visible the path of the sun through the day and over the sky in a striking and sensual way. His series "1h" brilliantly completes a hitherto unconquered chapter of black and white photography and at the same time sets standards in terms of compositional perfection.

Hiroyuki Masuyama dedicates an extensive series of works to the great romantic painter Caspar David Friedrich (1774-1840). From thousands of detailed photographs he reconstructs Friedrich's painting. Friedrich's imaginary scenarios acquire the credibility of photographic images. Fantasies of the nineteenth century, viewed through the eyes of the twenty-first - an exciting journey through time begins.

"The time levels merged in this way make it clear once again that art always has only one present. It's the one in which thinking about them takes place." Michael Freitag

Photo Basel 2019

June 11th to June 16th 2019
Volkshaus Basel | Rebgasse 12-14 | 4058 Basel, Switzerland

Private View (by invitation only)
Monday, June 10th from 6pm

Regular opening hours
Tuesday, June 11th: 12pm - 9pm
Wednesday, June 12th / Thursday, June 13th / Friday, June 14th: 12pm - 8pm
Saturday, June 15th: 12pm - 8pm
Sunday, June 16th: 12pm - 6pm

Hans-Christian Schink, 3/28/2010, 6:43 am – 7:43 am, S 08°27.131‘  E 119°52.396‘, gelatin silver print on aluminum dibond, framed under museum glass, ed. 8 + 2 ap, 120 x 145 cm

Hans-Christian Schink, 2/21/2010, 7:00 pm – 8:00 pm, S 38°49.042‘ E 174°34.976‘, gelatin silver print on aluminum dibond, framed under museum glass, ed. 8 + 2 ap, 120 x 145 cm

Hiroyuki Masuyama, Fog (after Caspar David Friedrich, 1807), 2018, LED Lightbox, ed. 5, 34,2 x 50,2 x 4 cm

Hiroyuki Masuyama, Evening (after Caspar David Friedrich, 1824), 2018, LED Lightbox, ed. 5, 20 x 27,5 x 4 cm

Hiroyuki Masuyama, Mountain landscape with rainbow (after Caspar David Friedrich, 1810), 2018, LED Lightbox, ed. 5, 70 x 102 x 4 cm

Hiroyuki Masuyama, Ruin in the Riesengebirge (nach Caspar David Friedrich, 1834), 2007, LED Lightbox, Auflage 5, 73 x 103 x 4 cm

Hiroyuki Masuyama, Moonrise at the sea (nach Caspar David Friedrich,1822), 2018, LED Lightbox, Auflage 5, 55 x 71 x 4 cm

We look back at the Long Night of the Museums 2019 with Dana Meyer and Wieland Payer.

Photos: Melanie Kanzler

Hiroyuki Masuyama
After J.M.W. Turner 1834 – 2019
May 9 - July 28, 2019
Giudecca Art District | 211-b Giudecca Island | Venice | Italy

Hiroyuki Masuyama shows works from the Turner series in a solo show in the Giudecca Art District in Venice. "After J.M.W. Turner 1834 - 2019 "can be seen from May 9 to July 28, 2019.

Moritz Götze
Scapa Flow - Downfall & Legend
April 28 - June 23, 2019
Painting and installation to 100 years self-submergence of the German fleet
German Naval Museum Wilhelmshaven Südstrand 152, 26382 Wilhelmshaven

The opening will take place on Sunday, April 28 2019, at 1 pm in the German Naval Museum. The artist will be present.

"Paragraph 11. Confirm". Following this curious order, the former Imperial High Seas Fleet, which had been interned there since the end of the First World War, sank on 21 June 100 years ago in Scapa Flow, Scotland. (Source: https://www.marinemuseum.de/sonderausstellungen/moritz-goetze-scapa-flow/)

Hans-Christian Schink

Aqua Claudia – Verkehrsprojekte
April 6th – July 14th 2019
Kunstmuseum Heidenheim / Hermann Voith Gallery
Marienstraße 4 / 89518 Heidenheim

The exhibition shows pieces of the series Verkehrsprojekte Deutsche Einheit (2001) and Aqua Claudia (2014).

Opening with the artists on April 5th, friday, at 7 p.m., Kunstmuseum Heidenheim. It will speak: Dr. René Hirner, Kunstmuseum Heidenheim.

A 71, near Traßdorf, 1999, C-Print/Diasec, 178 x 211 cm and 121 x 143 cm, ed. 5 + 3

Public guided tours in combination with the exhibition:
Sundays at 11:15 a.m.: 05/5. and 05/19. and 05/26., also 06/09. and 06/30/2019 
Wednesdays at 17:30: 04/17/2019 and 05/15. and 05/29/2019 and 06/26/2019 

source: kunstmuseum-heidenheim.de

Behind the mirrors

Harald Reiner Gratz
A special exhibition of the German Tv and Crimefestival.  
Wiesbaden, Atrium Galerie and Caligari Filmbühne
March 10 until April 30, 2019
Opening with the artist on Sunday, March 10 at 3 pm
SV Atrium Galerie, Bahnhofstr. 69, Wiesbaden

Under the title "Behind the Mirrors" Gratz assembles a selection of powerful and expressive works that confront the viewer with crime scenes, milieus scenes, Gealt, sex as well as actor and role portraits of Thomas Thime or Heino Ferch with their scenic image compositions. There will be an artist talk with Harals Reiner Gratz and actor Thomas Thieme.

ART KARLSRUHE 2019

21. bis 24. Februar | 21 until 24 February

One-Artist-Show 

Thitz
Hiroyuki Masuyama

Skulpturen | sculptures

Dana Meyer

Art Karlsruhe 2019 mit | Art Karlsruhe with:

Ellen Akimoto
Moritz Götze
Michiko Nakatani
Nguyen Xuan Huy 

Wir freuen uns auf Ihren Besuch! | We are looking forward to seeing you at our booth!

Halle 3, Stand J 32 + H 32
Messeallee 1, 76287 Rheinstetten, Germany
Stand-Telefon | contact +49 (177) 599 84 45

Preview: 20. Februar, 14 – 21 Uhr | preview 20 February 2 – 9 pm
Öffnungszeiten: 21.–24. Februar 11–19 Uhr | opening hours 21–24 February 11am–7pm

Ellen Akimoto, Speaking Persuasively, 240 x 210 cm, Öl auf Leinwand, 2018

Hiroyuki Masuyama, Der Mönch am Meer (nach Caspar David Friedrich, 1808-10), 2007, LED Lightbox, Auflage 5, 110 x 171,5 x 4 cm

 
Moritz Götze, Immer dasselbe, 2018, Öl auf Leinwand, 180 x 140 cm

Nguyen Xuan Huy, Waiting until Heaven is Done 2, 2018, Öl auf Leinwand, 270 x 190 cm


Michiko Nakatani, Souzou no Yoroi, (Rüstung aus der Vorstellung), 2013, Kunstharz / Pigment / Eisen, 53 x 165 x 32 cm

Our sculpture space at Art Karlsruhe 2019 is dedicated to a group of works by Dana Meyer. Since her major trade fair appearances in 2012, 2015 and 2017, she is one of the established and respected German sculptors. Several of the presented works are now in public ownership. Since the summer of 2018, the antelope group "Die Schlucht" is shown in the sculpture park of the city of Eschborn. In 2019 we will present her large composition "Schweine" ("pigs") in Karlsruhe.

Dana Meyer forges her virtuoso expressive sculptures freehand from steel. Between human and animal figures, she recognizes a "relationship" that overrides the boundaries to the animal kingdom. And she is not only a master of the great composition. In Karlsruhe, the artist presents a series of bizarre and masterfully crafted fictional insect sculptures in addition to her pig group - her "South Pacific Expedition".

South Pacific Expedition

Dana Meyer, South Pacific Expedition, 2012-2018, Steel, Driven and Welded (Detail)

All works of the South Pacific Exhibtion you can find here

Art Karlsruhe 2012: Dana Meyer zeigt am Stand der Galerie Rothamel den "Eisläufer".

2015: "Mensch trägt Pferd", "Fuchsjagd" und "General"

2017: "Die Schlucht"

Moritz Götze and Rüdiger Giebler continue their Grand Tour to New York. On February 12 the show will be opened in the German Consulate General in New York. Some words about the artists and their works will be spoken by Dirk Ockhardt, himself a collector.

The exhibition runs from 13th February to 22nd March 2019 and is open from Monday - Friday, 9am - 5pm.

https://www.germany.info/nyevents

In 2005 we opened our showroom at Fahrgasse 17 in Frankfurt. After a loving and elaborative conversion, the first gallery of the Fahrgassen-type was born: the economic miracle architecture of the late forties shone in new splendor, was sensitively revised and adapted to the requirements of a modern gallery. The original character with skylight, canopy, brass window frame, bakelite door pull and grid frame over the radiators has been preserved. Friends, neighbors, co-worker Johanna Pahnke and especially all-rounder René from AGH helped for a perfect start. Around the same time, other colleagues launched new projects in Fahrgasse. Over the following years, more galleries settled. Some disappeared again (without trace or spectacular), but today the street between the river Main and Berliner street houses eight galleries and is a hotspot of the Frankfurt art scene.

Where art is shown, restaurateurs like to settle down - art collectors are hungry and artists are thirsty. Meanwhile, the economies are in the majority and social darwinism takes its course. Colleague Carlo Schwind has given up his generous rooms across the street and moves in our former rooms. He is allowed to, because he is the owner. We move on. We will continue to be present in Frankfurt. A temporary alternative address is found and the search for a new fixed domicile is in progress. Unfortunately, the last exhibition in Fahrgasse with papercuts by Annette Schröter lasts only a short time - it runs from January 25, 7 pm to January 26, 4 pm.

You and your friends are invited!

Exhibition with Axel Anklam

Exhibition with Moritz Götze


Exhibition with Hans-Christian Schink


Exhibition with Nguyen Xuan Huy


Exhibition with Hiroyuki Masuyama

Wieland Payer at the Produzentengalerie Dresden

Vatnajökull 
16 November 2018 - 15 December 2018
Wallgäßchen 1, 01097 Dresden, Germany
http://www.produzenten.net

HEIMVORTEIL - german artist fromt the collection Schaufler
28 October 2018 - 30 June 2019

Exhibition opening: 28 October 2018 at 11.30 am. It will speak Barbara Bergmann (SCHAUWERK Sindelfingen) and Prof. Dr. Walter Grasskamp.
Guided tours through the exhibtion at 12.30 pm.

Besides works of Hans-Christian Schink you can see Georg Baselitz, Günter Fruhtrunk, Heinz Mack and many others.

LUOGHI DELLA MENTE. 20 ANNI D'ARTE CONTEMPORANEA

The exhibition is up until 30 November 2018

https://gam.comune.verona.it/
Galleria d’Arte Moderna Achille Forti
cortile Mercato Vecchio
37121 Verona, Italy

HANS-CHRISTIAN SCHINK
Burma
Galerie Rothamel Frankfurt
extension of the exhibition until 24 November 2018

In the course of the gallery tour of the Frankfurt galleries, the exhibition will be open until 9pm on 19 October!

picture:
Hans-Christian Schink, Win Sein Taw Ya. Back of the Head, Mudon, 2016, C-Print, gerahmt, Auflage 8 + 2 ap, Abzüge in den Abzüge in den Formaten 90 x 107, 131 x 153 cm und 178 x 211 cm

Michiko Nakatani is showing her latest work until 7 November in the rooms of castle Bedheim in Thuringia.

more informations: 

http://schloss.bedheim.de/

Moritz Götze und Grita Götze
also works by von Wasja und Inge Götze

28 September until 8 October
Städtischen Galerie and Kunstverein Speyer
opening times: thursday until sunday 11am until 6pm 

Hiroyuki Masuyama 

WORLD / JOURNEY / TIME
Kulturspeicher Würzburg
3 August until 4 November 2018

Hiroyuki Masuyama, 0 Star Sphere, 2018, Pine, Epoxy and 30,000 Fiberglass Pens

Into the open. Photographic art in eastern Germany since 1990

Hans-Christian Schink and Erasmus Schröter
29 June – 16 September 2018
Kunstmuseum Moritzburg Halle (Saale) 

1/05/2010, 5:46 pm – 6:46 pm, S 06°26.486‘ E 039°27.776’, gelatin silver print, framed, total ed. 8 + 2 ap, 180x225 or 120x145 or 80x100 cm

more information: http://www.stiftung-moritzburg.de/

Wieland Payer
Lichtung
Koekkoek-Haus Kleve
24 June - 09 September 2018

http://www.koekkoek-haus.de/ausstellungen

Opening at Koekkoek-Haus in Kleve is on 24 June, at 11.30 am. 
It will speak: 

Ursula Geisselbrecht-Capecki, künstlerische Leiterin B.C. Koekkoek-Haus
Jörk Rothamel, Galerie Rothamel Erfurt und Frankfurt a.M. 

Laueres for Schadow
Moritz Götze
13 June 2018 bis 28 April 2019

The exhibition is open from Tuesday to Sunday from 11 am to 5 pm and is located in the Schadow-Haus (side wing), Schadowstraße 12 - 13, 10117 Berlin. Admission is free.

Greetingwords for the exhibition were spoken by Dr. Wolfgang Schäuble

At the end of 2016, the German Federal Government acquired the former house of the writer Thomas Mann in his US exile. Situated in 1550 San Remo Drive, Pacific Palisades, California, the Thomas Mann House is still being renovated.

The first fellows will likely move at the 18 June. The fellows, outstanding personalities, who come from the fields of culture, politics, business, media, and science, will live in Mann’s former exile home from three up to ten months in order to engage in an intensive exchange with US-American institutions and personalities. One of them is Hans-Christian Schink. His motiv 2/23/2006, 4:04 pm – 5:04 pm, N 34°03.712' W 118°20.979' of the series 1h will be shown there permanent. 

Sleep Masks
Freddy Langer
photography 
26 May until 7 July 2018, Galerie Rothamel Erfurt

The photographer and journalist Freddy Langer has been taking pictures of prominent artists with his Polaroid camera for at least a quarter of a century: film stars like Claudia Cardinale, photographers like Helmut Newton, visual artists like Fernando Botero, and authors like Louis Begley. Since more than 30 years Freddy Langer takes pictures of prominent artists wearing sleep masks. 

Hans-Christian Schink
"Here and there"

Saarlandmuseum Saarbrücken
5 May until 5 August 2018
https://www.kulturbesitz.de/ausstellungen

Under the title "Here and There", a retrospective exhibition by Hans-Christian Schink will be presented at the Modern Gallery of the Saarlandmuseum. Dr. Roland Augustin curated the exhibition and presents about 75 works from the last 20 years. A catalog of the same name with contributions by Dr. med. Roland Augustin and Dr. Roland Mönig. At the vernissage on May 4th at 7pm, the artist cordially invites you.

Also at the beginning of May, a new publication will be published by Kerber. "Burma" gathers 85 photographs taken in 2013-2016 on five trips to the Southeast Asia. The project was funded by the Stiftung Kunstfonds and supported by the Goethe-Institut Myanmar.


Kyak Pun Paya, Bago, Burma series, 2014, Ed. 8 + 2ap

Hiroyuki Masuyama
Minima – Maxima. A way to Italy

29 April 2018 – 15 July 2018 at the Angermuseum Erfurt
http://kunstmuseen.erfurt.de/

Opening with the artist in Angermuseum at 28 April, 4 pm.

Hiroyuki Masuyama is on the search for traces of subjects of great masters. The result - impressive photographic collages - they can be seen in a special exhibition in the Angermuseum. Also shown is Masuyama's Star Sphere. It allows those who climb into this wooden ball to see the northern and southern starry sky.

Grand Tour / Made in Kaisersaschern
Rüdiger Giebler und Moritz Götze

22 April bis 29 October 2018
Nietzsche-Haus und Nietzsche Dokumentationszentrum Naumburg

https://www.mv-naumburg.de/aktuell

Opening with the artists on 21 April at 3 pm at the Nietzsche-Haus und Nietzsche Dokumentationszentrum Naumburg.

Axel Anklam
Sculptures
Museum Art Plus Donaueschingen
18 March until 17 June 2018
opening at sunday, 18. March 12 pm

http://www.museum-art-plus.com

The exhibition at Museum Art.Plus focuses on Anklam's new series Schneeland (‘Snow Land') and "clime", which consists of mirror-like black and golden stainless-steel reliefs that recall mountain landscapes and confront viewers with their own reflected selves. Changes of light and perspective give rise to ever new and surprising perceptions.

Concurrently, as part of its project series Solo for Hauser, the Erich Hauser Art Foundation is presenting large-scale steel sculptures by Axel Anklam in its sculpture park in Rottweil.

Hiroyuki Masuyama - WORLD / JOURNEY / TIME

Kunstmuseum Heidenheim 
10 March until 10 June 2018
opening on Sunday, 10 March, at 7pm

Kulturspeicher Würzburg
3 August until 4 November 2018

Montevideo - Annette und Erasmus Schröter at the Museum der bildenden Künste Leipzig

We would like to cordially invite you and your friends to the opening of the exhibition on Wednesday, 7th of March 2018, at 6 pm. Annette and Erasmus Schröter will be present.
Speakers: Alfred Weidinger - Director, Andreas Höll - Curator
A catalogue will be published.

Spuren im Raum

Hans-Christian Schink
Bundeskunsthalle Bonn
23 February until 22 April 2018

Hans-Christian Schink will be present with works from the series „Hinterland“.

Kochi Nights
Soloshow at Architektur Galerie Berlin
23 March until 3 April 2018
opening: 22 March 2018, 7pm
http://architekturgalerieberlin.de


The Long Now
groupshow at Museum Goch
18 March - 10 June 2018
https://museum-goch.de/the-long-now/

participate artists: Greta Alfaro | Malte Bartsch | Christiane Baumgartner | Roland Boden | Maurits Boettger | Daniel Burkhardt | Mark Formanek | Verena Friedrich | Dafna Gazit | Christoph Girardet | Lukas Grundmann | Steffen Junghans | Timo Klos | hans w. koch | Vera Lossau | Zhenia Couso Martell | Lilla von Puttkamer | Johanna Reich | Otto Reitsperger | Hans-Christian Schink | Jan Schmidt | Pavel Schmidt | Leonid Sokhranski | Nasan Tur | Katrin Wegemann | Julia Weißenberg | Michael John Whelan

Hans-Christian Schink - hier und dort
Saarlandmuseum - Moderne Galerie & Studiogalerie
5 May – 5 August 2018

Lichtempfindlich 2 - Fotografien aus der Sammlung Schaufler
15 April – 6 January 2020  

HIROYUKI MASUYAMA
AD ASTRA
ART KARLSRUHE 2018

sculpture square and solo presentation

22 –25 February | 11am - 19pm 
preview 21 February 3–9 pm

Galerie Rothamel
hall 3
booth J 32
Messeallee 1, 76287 Rheinstetten 
contact +49 177 599 84 45

At the 2018 edition Karlsruhe Art Fair we present the installation "Ad Astra" by Hiroyuki Masuyama. It consists of the sphere "0" (at the “sculpture square”) and a one-artist show. The Sphere "0" is a walk-through wooden ball of 300 cm diameter, perforated with 30,000 glass fiber pens of different size and colour, which depict the stars of the northern and southern hemispheres. Who climbs them sees stars on all sides, as if one were floating alone in space.   

We are looking forward to seeing you at our booth.

0 (Star Sphere), inside

Other works at our booth

Sun, 2012, acrylic on lightbox, ∅ 201 cm

Still Life No 02 , 2011, photograph on wood, Ed. 5+1, 109 x 121 x 35 cm

Tulip No.01, 2017, photograph on wood, Ed. 5+1, 109 x 121 x 35 cm

Hiroyuki Masuyama & Caspar David Friedrich

Wiesen bei Greifswald (nach Caspar David Friedrich, 1820-22), 2016, LED Lightbox, Ed. 5+1, 35 x 48,9 x 4 cm

 

Landschaft auf Rügen mit Regenbogen (nach Caspar David Friedrich, 1830), 2016, LED Lightbox, Ed. 5+1, 59 x 84,5 x 4 cm

Kreidefelsen auf Rügen (nach Caspar David Friedrich, 1818), 2017, LED Lightbox, Ed 5+1, 90,5 x 71 x 4 cm

Hans Christian Schink
LEIPZIGER BÄDER (for the thirtieth anniversary of the series)
Gallery Rothamel Erfurt, project space
January 27 to March 17, 2018
For the opening with the artist on Saturday 27th January 8 pm we invite you and your friends.

Picture: Schink, Ostbad (1), 1988, C-Print, 29 x 38 cm

Emily Allchurch in the Royal Academy London Summer Show
13 june - 20 august 2017

Galleries are tied to their artists' lists and programs. This sometimes makes a little clumsy. We have longed for manoeuvrability and want to be more flexible again - with our new project space. Freedom of decision-making and speedy implementation, that was the desire. Small exhibitions, discussion rounds, actions and work presentations apart from the series - that's the point. Be our guests.

Let's start next Saturday, 27 May at 8 pm with a small show by and with Emily Allchurch. Last January during the London Art Fair Emily appeared at our booth. We showed the Turner series by Hiroyuki Masuyama, and she said she was doing "something similar". When she introduced herself, I was delighted: Her works were already noticeable to me. I had already thought of offering a collaboration to her local gallerist, Giles Baker-Smith, and now everything went very fast and easy. Works by Emily Allchurch traveled to Germany and a group of Hiroyuki Masuyama oeuvres stayed with my British colleague.

Emily Allchurch
Babel London
Galerie Rothamel Erfurt, Projektraum
27. May till 1. July 2017
Opening With the artist in Saturday, 27. May 8 pm

From today on, we will be presenting some great works by Rüdiger Giebler and Moritz Götze, which were created during their South Pacific tour during the past months. It's mixed media on handmade paper, 15 x 10.5 cm. Enjoy the view!

EXHIBITION 'CONTEST'
03.03. – 26.03.2017
Tue - Sun: 2 - 7pm  
Admission free

Leipzig-based photographer Erasmus Schröter is showing images from his photo series Contest in Künstlerhaus Bethanien. This series consists of large-format, colour portraits of young European men that Schröter photographed at various meetings and festivals of the Wave Gothic scene over the past four years.
The protagonists are in fierce competition with each other regarding the greatest admiration for their extraordinary appearance, aiming to provoke outrage with their consistent crossing of sexual, religious, and moral boundaries and taboos.
Pushing the boundaries with their obvious Narcissism, they illustrate the immense changes in European societies in an exemplary way.

Erasmus Schröter *1956 in Leipzig, left the GDR in 1985 and moved to Hamburg. Since 1997 Schröter has been living in Leipzig again. 

Image: Contest 21, 2011, Colorprint / Diasec 150 cm x 120 cm 

At the 2018 edition Karlsruhe Art Fair we present the installation "Ad Astra" by Hiroyuki Masuyama. It consists of the sphere "0" (at the “sculpture square”) and a one-artist show. The Sphere "0" is a walk-through wooden ball of 300 cm diameter, perforated with 30,000 glass fiber pens of different size and colour, which depict the stars of the northern and southern hemispheres. Who climbs them sees stars on all sides, as if one were floating alone in space.   

Our second one-artist show is traditionally based on the latest works by Thitz. His "Utopian Civilizations" show cities of tomorrow, looking like jungles, mountains or simply mega-cities. 

Preview tickets available for our collectors. Each ticket admits two. Please send us an e-mail and do not forget your recent postal address.   

At the 2018 edition Karlsruhe Art Fair we present the installation "Ad Astra" by Hiroyuki Masuyama. It consists of the sphere "0" (at the “sculpture square”) and a one-artist show. The Sphere "0" is a walk-through wooden ball of 300 cm diameter, perforated with 30,000 glass fiber pens of different size and colour, which depict the stars of the northern and southern hemispheres. Who climbs them sees stars on all sides, as if one were floating alone in space.   

Our second one-artist show is traditionally based on the latest works by Thitz. His "Utopian Civilizations" show cities of tomorrow, looking like jungles, mountains or simply mega-cities. 

16 until 19 February 2017

AXEL ANKLAM, GRITA GÖTZE, MORITZ GÖTZE, ANNA KANT, HIROYUKI MASUYAMA, NGUYEN XUAN HUY, WIELAND PAYER, HANS-CHRISTIAN SCHINK, ULRIKE THEUSNER, THITZ

sculpture venue: DANA MEYER

We are looking forward to seeing you!

Halle 3, Stand J 32 + H 32
Messeallee 1, 76287 Rheinstetten, Germany

Preview + Vernissage
(by invitation)
Wednesday, 15 February: 3 - 9 pm

opening hours
16 - 18 February noon - 8 pm
19 February 11 am - 7 pm 

Hiroyuki Masuyama and Joseph Mallord William Turner
The journeys from London to Rome

OPENING
Friday, 9th December 2016, 2 -6 pm

ACCORDINGLY
Tue - Fr 1 - 6 pm, Sat 11 am - 4 pm

Dear friends,

for a few days now our new display repository has been finished and this week it will be equipped.
From now on, visitors of our Erfurt gallery will always have an insight into our entire program.
On the first floor of the new building, our series "public eye" will be launched from February 2017, which will bring individual themes and artists into the public eye or make special offers.

In the existing gallery rooms in Erfurt and Frankfurt am Main you will still see our full program: individual group and thematic exhibitions.

For next Friday, December 9, we invite you to a small opening event in our Erfurt Gallery from 2 to 6 pm. No speech, no music - but a lot of great art.

I am looking forward to your visit, kind regards
Joerk Rothamel

Artist's talk 26th october 2016, 7 p.m.

Relating to Landscape
Hans-Christian Schink in conversation with Olga Smith

Tieranatomisches Theater Berlin-Mitte, Historischer Saal 1. OG, Philippstraße 12–13

Weitere Informationen

Sacred art by contemporary artists is still exceptional. Mostly, the interventions in existing churches are limited to details. The fundamental artistic restructuring of Sankt Ägidien (Saint Giles) in Bernburg, however, is unique.

Hans-Christian Schink
THE ROME COMMISSION 2003-2015
Italian Cultural Institute London
16th May till 9th July 2016

Further information:

http://www.hc-schink.de

Italian Cultural Institute London

Rüdiger Giebler & Moritz Götze

Gallery Rothamel Contemporary Fine Arts 

Grand Tour
An Exhibition of Paintings, Prints and Works in Enamel 
Saturday 7th May 2016 at 4 pm

PRIVATE VIEW
STUDIO 13A
13A Havelock Walk
London, SE23 3HG

Introduction by Julia Semmer

The MainStage opens with Axel Anklam’s (*1971, Wriezen, lives and works in Berlin and Bad Freienwalde) retrospective Clearing, covering the years from 2005 to 2016.

His sculptures are biomorph yet abstract. Skins of glassfibre, epoxy resin, latex and carbon on skeletons of steel. The forms seem to be borrowed from nature but are never seen before; just like stepping onto a clearing and beholding of something extraordinary.

Axel Anklam in our eyes is among the most advanced and best contemporary sculptors worldwide. His international awards and exhibits speak to the attraction the work exerts. We are proud to be able to present him at the Till Richter Museum and are particularly happy that he will be present personally for the opening on April 23rd. The museums wishes to thank in particular Frisch Collection, Berlin for lending us some of their fine pieces.

http://tillrichtermuseum.org

image: Axel Anklam · Line · 2016 ·  stainless steel, carbon, epoxy · 47x32x73 

Dana Meyer is this year's laureate of the Glock-Grabe Foundation Award. The awards ceremony and opening of the accompanying show will take place on 11 October 11 am at the Kunsthaus Meyenburg in Nordhausen. Congratulaions, dear Dana Meyer!

Fotomuseum Antwerpen, Belgien
Mijn Vlakke Land

26th June - 4th October 2015

Works by Ansel Adams (US), Francis Alÿs (BE), Frères Bisson (FR), Paul Bogaers (NL), Dirk Braeckman (BE), Anna Collette (US), Armand Dandoy (BE), Michiel De Cleene (BE), Misha de Ridder (NL), Babs Decruynenaere (BE), Thomas Demand (DE), Chloe Dewe Mathews (UK), Constant Dullaart (NL), Gilbert Fastenaekens (BE), Joan Fontcuberta (ES), Anne Geene (NL), Geert Goiris (BE), Yann Gross (CH), Michiel Hendryckx (BE), David Horvitz (US), William Henry Jackson (US), Adam Jeppesen (DK), Jan Kempenaers (BE), Mark Klett (US), Robert Knoth (NL), Alvin Langdon Coburn (US), Gustave Le Gray (FR), Jochen Lempert (DE), Albéric Lunden (BE), Robert Macpherson (UK), Michèle Matyn (BE), Andreas Mühe (DE), Asako Narahashi (JP), Bruno Roels (BE), Henning Rogge (DE), Arno Roncada (BE), Thomas Ruff (DE), Hans-Christian Schink (DE), Charles T. Scowen (UK), Liam Singelyn (BE), Berndnaut Smilde (NL), Dominique Somers (BE), Alfred Stieglitz (US), Thomas Struth (DE), Hiroshi Sugimoto (JP), William Henry Fox Talbot (UK), James Valentine (UK), Awoiska van der Molen (NL), Corinne Vionnet (CH), Robert Voit (DE), Ester Vonplon (CH), Charles Waldack (BE), Carleton E. Watkins (US), Edward Weston (US), Emma Wieslander (SE) en Masao Yamamoto (JP).


GALERIE ROTHAMEL
Dr. Jörk Rothamel
galerie@rothamel.de
www.rothamel.de
+49 - 177 - 5 99 84 45
+49 - 361 - 5 62 33 96
Kleine Arche 1A, 99084 Erfurt
Fahrgasse 17, 60311 Frankfurt am Main
Germany

8th April until 21th June 2015

Animals populate the internet: movies and pictures of grumpy looking cats or sneezing pandas are clicked on, viewed, commented and shared by the millions on social media. In visual arts animals are also everywhere. Drawn, painted photographed, recorded in stone and marble or cast in bronze, they are a recurring motif.

Starting from the central works of the municipal collection Erlangen, the exhibition #catcontent deals with the various forms of the beast becoming an image. From the representation of the animal as a metaphor and symbol to newer perspectives in dealing with digital imagery, the representation of the different aspects of the complex human-animal relationship are constantly being explored and integrated into art.

The focus of the exhibition is on works by artists who stimulate a change of perspective. Here it is not only the man who looks at the animal, but also the animal looks to the human. Animals are more than just metaphors or objects; instead they can be seen as actors who meet in worldly situations.

In cooperation with the Friedrich-Alexander-University Erlangen-Nuremberg and the 19th International Puppet Theatre Festival, a comprehensive show is brought to you. Accompanied performances, films, panel discussions, lectures, workshops, theatre performances, tours, and a Poetry Slam all takes place at #catcontent. In the centre is an interdisciplinary conference where the concept of animal agency is discussed, asking about the power of animal acts. A comprehensive catalogue of the participating artists and the contributions of academic support program will be presented and published.

Artists: Kader Attia (FR), Georg Baselitz (DE), Thomas Bayrle (DE), Joseph Beuys (DE), Björn Braun (DE), Annika Eriksson (SE), Erro (IS), Eckart Hahn (DE), Henrik Håkansson (SE), Keith Haring (US), Judith Hopf (DE), Jörg Immendorff (DE), Jürgen Klauke (DE), Eva Kot'átková (CZ), Agnes Meyer-Brandis (DE), Katja Novitskova (EE) Dennis Oppenheim (US), AR Penck (DE), Adriana Ramić (US), Kirstine Roepstorff (DK), Mathilde Rosier (FR), Dieter Roth (CH), Shimabuku (JP), Wolf Vostell (DE) 

On Saturday, April 4, Moritz Götze spoke at Germany Culture about his current exhibition "Des Knaben Wunderhorn" or “The Youth's Magic Horn” featured in the Art Collection of Jena’s City Museum. If you missed the talk than you can hear it here. The exhibition can be seen in the context of the theme "Romance, Light, Infinity" exhibiting until 2nd August.

Article

The Halle artist Moritz Götze lets his romantic nature run wild in his whimsically styled panels for Novalis and Co. The panels are on display until August in the art collection of Jena City Museum.

MDR Article

Des Knaben Wunderhorn (“The Youth's Magic Horn”)

The Early Romanticism in Jena 

Images, objects and drawings

An exhibition as part of the Commemorative Year of 2015
Romance - Light - Infinity
Art collection in the Jena City Museum 

14 March-2 August 2015
Opening on 13 March at 8pm

Jena's City Museum

ART KARLSRUHE 2015
4 - 8 March 2015

Messeallee 1, 76287 Rheinstetten, Germany

Preview + Vernissage
(by invitation)
Wednesday, 4 March, 3 - 9 p.m.

opening hours
5 - 7 March noon - 8 pm, 8 March 11 am - 7 pm

Hans-Christian Schink ea.
The Night of the Villa Massimo in the Martin Gropius Bau Berlin
Thursday, February 19, 2015, at 19.30 p.m.
Martin-Gropius-Bau Berlin, Niederkirchnerstraße 7


On Thursday, 19 February 2015 at 19.30 clock, the Villa Massimo in Rome is again one night at Berlin's Martin-Gropius-Bau guest. The fellows in 2014 show their recent works at exhibitions, concerts and readings. The guest of honor is the Minister of Economy and Energy, Sigmar Gabriel.

The event will be officially opened with greetings and speeches by Joachim Blüher, director of the Villa Massimo, Georg Fahrenschon, President of the German Savings Banks and Giro Association, and Sigmar Gabriel, MP, Minister of Economy and Energy. The speech of the fellows out by the author Oswald Egger.

The beneficiaries of the 2014 exhibit at the premises of the Martin-Gropius-Bau artistic works which were created during their stay in Rome. Just as in the Villa Massimo lined the studios of artists along the so-called Via degli Artisti, the studio street in the park of Villa Massimo, who follow the presentations in the exhibition rooms of the Martin-Gropius-Bau in successio

8 February to 10 May 2015
Opening on Saturday, Feb. 7 by 19 clock

Six artists were invited by the Saarland Museum to work in the shell of the extension building of the Modern Gallery. The resulting there photographs and video footage of Boris Becker (born 1961), Simone Demandt (born 1959), Hans-Christian Schink (born 1961), Sven Erik Klein (born 1974), Sinje Dillenkofer (born 1959) and Eric Lanz (born 1962) will be exhibited in the Modern Gallery right next to their point of origin. All six artists have studied in their own way to the much-discussed museum.

The 27th edition of London Art Fair takes place from 21-25 January 2015. 

Annually launching the art world year, the Fair provides a supportive environment for collectors of all levels.

Museum quality Modern British art is presented alongside contemporary work from today's leading artists, covering the period from the early 20th century to the present day.

Opening: Saturday, 24/01/2015, 18 clock

Curated by Herma Walter and Peter Ege


Hahn's art shows off a most peculiar revival of the objective. It's like the boring, decrepit inventory of mimesis suddenly sit up, would run as an imperceptible tremor through the body of objectivity, as directed here suddenly the old strange life a Frankenstein monster, from which one can still expect surprises. The current surge which accomplishes this miracle, is the energy of ambiguity; the power source is in focus on the faucet surface. (Joachim Kalka)

It is the invisible fine mesh in the ground. It is the actual fungus from which one sees only the fruiting bodies on the surface. So I see my work: A web of invisible lines which are visible in the image. (Eckart Hahn)

Ulrike Theusner exhibition "A Rake's Progress" opened on Saturday. Christoph Theusner ("Bayon") and Silke Gonska delivered great performances. We thank all the collectors, friends and interested parties for the nice evening!

After her return to Japan Michiko Nakatani opened her first major solo exhibition at the Tama Art University.

Congratulations, dear Michiko!

Michiko Nakatani
Souzou no kage 
Tama Art University, Gallery of Sculptur building.
20 November until 4 December 2014